Showing posts with label Multi-stringed. Show all posts
Showing posts with label Multi-stringed. Show all posts

Thursday, September 22, 2011

Dude taps away on 24 strings on his homemade monster metal bass

guitarz.blogspot.com:
Cor blimey, guvnor! When I first saw the picture of this thing I thought it might be a Star Trek fan posing with some exotic piece of Klingon weaponry. But no, apparently it's a touch-style 24-string "bass" (not sure why it can't be called a "guitar", but that's what the fellow calls it).

I know, I've been very cynical in the past about such multi-stringed instruments and "extended range basses", and even have my own catchphrase to be used in the eventuality of sighting such a beastie: "Is that enough strings? Just buy a harp already!"

But I've been told that I shouldn't be so closed-minded, so I'll let you watch this chappie in action on his 24-string bass in the below video and allow you make up your own minds.


Actually, someone commented on YouTube, "Whats the point in having that many strings?", and 24-string bass chappie answered, "There is no 'point', I just love to play stringed instruments!" which, I guess, is fair enough. It's like the answer to the old question "Why climb that mountain?" with "Because it's there!" In this instance, it's "Why have so many strings? Because I can!"

Love it or loathe it, it doesn't matter. It's worthy of a blog post on Guitarz for weirdness factor alone.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Sunday, January 2, 2011

10-string Santucci TrebleBass

OK, time to reactivate the too-many-strings war, with this 10-string Santucci TrebleBass that adds 4 bass strings in E A D G to 6 guitars strings in E A D G B E A - the standard bass and guitar tunings but with a gap between them (though I heard that some people tune it in C# F# B E A D G B E A) - all on one wide neck and with one scale (dunno how they do that). The TrebleBass can be played as a tapping guitar but also in regular style.

This is the kind of instrument that can easily be considered as a pure show-off tool, since it requires obviously the kind of virtuosity that often puts aside creativity and feelings - but for a few geniuses... One can wonder what kind of music you can play on this, so I add this video and the music is unsurprisingly some competitive muzak. But I still think that put in the right hands, this TrebleBass can be a terrific instrument and open new horizons - what would Frank Zappa have done with it? There are several instruments out there that didn't find their users yet, but after all, who was betting on the saxophone 150 years ago...

This reminds me of an anecdote: a few months ago I was at a colloquium about contemporary music, and there was this Italian composer making extremely complex computer music, and complaining that nowadays music (that means her music) was way ahead of human perception, implying than genetic manipulation should accelerate human evolution to allow us to perceive nanotonal variations... That was scary and reminded me how historical fascisms were rooted in aesthetic radicalism! Anyway the next composer presented a beautiful piece based of the transcription for a string orchestra of the effects of layered ring modulations, that was stunning and reconciled me right away with brainy experimental music.


Bertram

Guitarz - The Original Guitar Blog - now in its 10th year!

Tuesday, April 6, 2010

August Carlstedt Ideal Harp Guitar

guitarz.blogspot.com:

This harp guitar by August Carlstedt is not the kind of instrument that turns up very often on eBay. The seller has listed it as a "double neck" and I suppose that is not an innaccurate description of it, but you'll notice from the closeness of the upper neck carrying the sub-bass strings to the main neck that the sub-bass strings are not meant to be fingered (I won't say "fretted" for obvious reasons). The sub-basses are intended to be plucked as open strings - the neck is there merely to support these strings. The designs of harp guitar vary wildly; many other brands employed winged extensions to the body where this guitar has the extra neck. I assume that the fretless fingerboard on this example is there for aesthetic purpose only.

I note that currently the guitar has only two of its four sub-bass strings present. Possibly, in its current condition with cracked body top it would not be wise to string it up with the full complement of strings. I am curious as to the presence of four additional bridge pins on the treble-side of the guitar's bridge, which would suggest that the guitar may have had even more extra strings. However, there are no tuners present on the treble side of the body, nor marks to indicate where they may once have been. Could the four extra bridge pins be merely an aesthetic touch so as give provide visual balance to the whole bridge design?

August Carlstedt, by the way, lived from 1861 to 1928 and was a Swedish immigrant who ran a shop in Chicago during the early 20th century, building instruments under the Ideal brand.

This beautiful antique guitar is, as already mentioned, in need of some restoration. No doubt it will appeal to a collector of harp guitars; hopefully someone who will lavish some attention on it.

For more on harp guitars, see the excellent www.harpguitars.net website.

G L Wilson

Guitarz - The Original Guitar Blog - now in its 9th year!

Tuesday, March 16, 2010

14-string "guitar"

guitarz.blogspot.com:

This strange-old 14-stringed instrument is currently up for sale on eBay, although I am not sure if the seller is correct in calling it a "guitar". The body shape is like that of a cittern. When the seller claims it is 24 inches long, I guess he is referring to the total length rather than the scale length, so to my mind that would make this instrument nearer in scale to a mandolin than a guitar because you have to factor in the length of that enormous headstock!

Having fourteen strings, you would be forgiven for thinking that it had seven courses of paired strings, but in fact it has only six courses, arranged with the highest three being tripled, the middle basses being doubled and the lowest bass being just a single string.

It's not a stringing system I have seen anywhere else, but perhaps it is better known than I believe. (I'm learning things all the time writing this blog). Possibly it is a relation of the Portuguese guitar, but with fourteen strings instead of twelve and a different headstock design. As usual, if anyone has any further info, please let us all know below in the comments.

G L Wilson

Additional: It's a Philippine Bandurria - see comments.

Guitarz - The Original Guitar Blog - now in its 9th year!

Monday, November 9, 2009

Pointless triple-neck

guitarz.blogspot.com:

Uh-oh! You know you're in for trouble when you see a Tennessee-brand guitar. They are often very wacky instruments, but don't be fooled as the workmanship is shoddy and the instruments themselves are reported to be virtually unplayable.

But let's put aside the provenance for this discussion. Just look at this thing: it's a triple-neck comprising 8-string bass, 10-string bass, and 6-string lap steel.

Just WHY?

Why would anyone need that combination of necks on a single instrument? To start with, how many bass players double on "lap steel"? Not that this could ever be a real lap steel. Is the player supposed to un-strap it mid-song, sit down and lay the instrument on his lap for a lap steel solo?

Perhaps the "lap steel" neck was added because it was lying around at the factory at the time this ridiculous instrument was assembled.

Let's forget the lap steel neck. What about the two bass necks? Why would any bassist ever need a 8-string and a 10-string on one instrument? (That is to say, a 4-string and a 5-string with doubled courses, rather than 8 and 10 individual non-paired strings). Surely if you needed to play a song that required both 8-string and 10-string bass, all you'd need would be the 10-string neck and you could ignore the low B course in the sections that "require" the 8-string. In the same way, I can't see why anyone would ever need a 4-string and 5-string bass combination on the same instrument. I could understand a 4-string and 8-string, or a fretted and fretless, but this instrument shown above offers nothing of advantageous use.

It's utter nonsense, and as I've commented on previous occasions, Tennessee guitars seem to be put together by people who know nothing about guitars.

G L Wilson

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Saturday, November 7, 2009

The Omstrument

guitarz.blogspot.com:

In our previous post about Uli Jon Roth's Sky Guitar, Bertram, my co-blogger here at Guitarz, made a note in the comments appealing for "Less frets, more strings!"

Is this enough strings for you, Bertram?

With a combined total of 46 strings, the Omstrument is the creation of Jack Haas and is a gestalt instrument comprising harp, guitar, longneck dulcimer, strumstick, and tanpura. And before you ask, yes, they are supposed to be played together at the same time.

Perhaps it's easier to let one of Mr Haas' videos do the talking:

Before anyone else comments, yes I am aware of Pat Metheny's 42-string Pikasso guitar created by luthier Linda Manzer. It's a crazy-looking guitar with strings all over the place, but surely more portable than the Omstrument!

G L Wilson

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Thursday, October 22, 2009

Steve Albini's 16-string guitar

guitarz.blogspot.com:

I'd like to thank Howard who forwarded this image of a 16-string guitar from Steve Albini's recording studio. It appears to be a "Frankenstein" creation with a hardtail Strat-like body (probably not a Fender) with a doctored Epiphone acoustic 12-string neck grafted onto it.

Note the four tuners in the center of the headstock (which must be bango style tuners with the buttons on the reverse) and also the simple bridge which has been moved further back than it would be on a Strat, a dictate of the neck used to allow for the correct scale and compensation.

It doesn't look like a very friendly-to-play instrument. I'm assuming that the strings are arranged in six courses as on a 12-string, but that the top four courses each have three strings. This means that the strings are all so close together that it is hard to tell where one course ends and the next begins. I'm guessing that the "Guitar from Hell" sticker near the bridge is appropriate!

G L Wilson

Additional (6 December 2009): Here's what Steve Albini himself says of the instrument:

It's a drone instrument. I saw a 12-string made like this (Epiphone neck on strat copy body) and asked the guy who made it how many strings he could fit on one guitar. His answer was 16, so I asked him to make one. The first one was a thank-you gift for Sonic Youth, who had invited Rapeman to play some shows with them in the UK. It turned out to be real fun to play, so I had another one made and that's the one we have here. It's used on a lot of records as a novelty, and on the Shellac song "Pull the Cup" in earnest.

The demo version of "Pull the Cup" is called "XVI," which is a hint.

Bob got to play one of Tom Petersson's 12-string basses at a Cheap Trick sound check, and I think he's going to see about getting one eventually. Expect everything to change once that happens.


http://www.electrical.com/phpBB3/viewtopic.php?f=4&t=46349&p=1007753

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Saturday, September 5, 2009

Prometeus 10-string bass

guitarz.blogspot.com:
This is a Prometeus 10-string bass, currently on sale on eBay.

I've said it before and I will say it again. If you want that many strings just buy a harp!

C'mon bass players... how can you justify all those extra strings? I've heard a lot of BS about these instruments opening up new avenues of sonic exploration, but I've never heard a decent piece of music played on one. Admit it - it's just a silly fad amongst some bass players to see who can have the most strings.

Just check the demo video of this particular instrument on YouTube. Now, can you honestly tell me that the highest strings on this beast are truly useable? Come to that the sub-bass is pretty ropey too, so it's only really the strings in the centre that are truly playable.

The seller, who I assume from the way he writes is also the builder, admits that he himself is really a 4-string player. He must be assuming that there is someone out there daft enough to buy this thing.

G L Wilson

NB: There are a lot of blogs STEALING content and bandwidth. If you read this anywhere else but on guitarz.blogspot.com then you are reading a blog that STEALS content. Please support original bloggers!

Sunday, April 19, 2009

The Vootar

The 8-string Vootar - another interesting instrument from Cassandra Elk Design - is described as being guitar and bass all in one.

From what I can work out from the German-language description on the eBay selling page, it looks like this instrument was designed by German record producer and musician (and record sleeve designer) Klaus Voorman.

I wonder what tuning it uses across its eight strings?