NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Sunday, February 28, 2010
Duesenberg Starplayer TV Outlaw
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Ibanez PM100 Pat Metheny Signature
Saturday, February 27, 2010
Vintage one-off violin guitar
We've all seen guitars and basses styled after violins, but this one-off hand-built violin guitar would appear to use an actual violin body, or at least a very close approximation of one. Notice how because of the diminutive body size the bridge is positioned as far back as it can go while the tailpiece is off the end of the body on an extension (which reminds me of a similar feature on the original Ampeg AUB-1 "scroll" bass).
The headstock design is also very interesting, and features an inverted violin-like scroll in the centre. Someone put a lot of effort into this guitar.
The neck is very short and joins the body at the twelfth fret. In fact, there are ONLY twelve frets in total. If you like playing up at the top of the neck forget it! I guess it wouldn't appeal to many modern players.
Nevertheless it's a fascinating piece and worthy of our attention here at Guitarz.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Tony Paris Pentachord with 30 strings
When I first saw this instrument listed in the guitars section of eBay I mistook it for a hammer dulcimer, and thought that the seller must had been listed it in the wrong section. But on closer inspection, it is indeed a relative of the guitar.
Apparently it is a Pentachord, manufactured by Tony Paris. It has five sets of six strings - equivalent to five guitars. From what I can work out each bank of strings can be tuned to an open chord. The movable nut for each bank of strings allows for further chord options.
I guess you could set this up for each of the chords you'd require for a particular song (depending on the number of chords in the song, of course) and strum along on the relevant bank of strings as and when required. If a song has more than five chords, it might be possible to effect a quick chord change on the fly by moving one of the movable nuts.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
40s Gretsch Synchromatic with De Armond custom pickup
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Friday, February 26, 2010
G&L Legacy Custom
Thursday, February 25, 2010
An incompetently-designed harp guitar (I think that's what it's supposed to be)
Oh no, this is just dreadful. It's another one of those cheaply cobbled-together Chinese-made guitars that pay very little consideration to the playabilty or practicality of an instrument.
I'm not sure where to start... This appears to have extra strings just for the fun of it. Now, I know that some acoustics carrying additional strings will have "sub bass" strings that are positioned outside of the neck as they are intended to be played open, harp-style, but on this neck it looks like they couldn't decide if the bass strings should be over the fingerboard or not, so we've got a little bit of both on a very strangely shaped neck.
Speaking of neck shape, just look at the back of it. It must be square in cross-section. It doesn't look very playable.
I can't imagine how useful the other eight strings mounted on the body are. I guess you could have them tuned them to a chord. I'm also not convinced about the location of the tuners mounted in that little box on the front of the soundboard. Wouldn't it damp the vibrations of the top? Wouldn't it rattle?
But the thing that bugs me the most about this sorry effort of a guitar, is the cutaway on the body. The whole point of a cutaway on a guitar is to facilitate playing on the higher frets of the guitar at the body end of the fingerboard. But here, the cutaway is nowhere near the neck and therefore useless. What is the point? Not only is it without function, it also looks absolutely appalling.
I'm reminded of those dreadful Tennessee-brand guitars, and suspect that this guitar may originate from the same source.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
McPherson Jumbo Acoustic
Following on from Bertram's recent post about a Hoyer Jazz guitar with triple soundholes, here is another guitar with an unusual configuration of three soundholes. Appparently, it is a Japanese-made McPherson jumbo acoustic (this example is currently being offered for sale on eBay). Other than that, I'm afraid I know nothing about it.
As ever, if anyone reading has any additional information, please use the comments below this post. Thanks.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Stephen O'Malley of Sunn O))) and Travis Bean aluminium-necked guitars
Here's a recent email from Gary:
I've been a religious follower of your blog the past couple years and I have a problem here that I'm sure you're used to getting millions of e-mails a day about. I've attached some pictures of a guitar played by Stephen O'Malley of Sunn O))) and many other droney, experimentaly type projects. Note the T-shaped cutout on the headstock. It also appears that it has an aluminum bolt-on neck with a large tongue that fits into the body. And are the strings through the body and into the tongue (essentially the neck itself)? I don't see myself as anything close to an expert on guitar design but couldn't that offer some massive sustain? I recently bet a friend of mine that I could find out what it was before him so any help whatsoever would be greatly appreciated. And any insights you might have into the guitars design (like me being ridiculously wrong for example) would be awesome.Hi Gary
It's a Travis Bean - which were a forerunner to the metal-necked Kramers. You are quite correct about the construction of the guitar and yes - they are known for their massive sustain.
See the Guitarz archives for a Travis Bean "display guitar" (that looks cruelly butchered) and a little bit of info.
There's also a TB1000S on eBay right now:
Thin Lizzy's Brian Robertson can be seen playing a Travis Bean in some of the band's videos from the 1970s. I'm pretty sure that Bill Wyman played a Travis Bean bass in the Stones for a while too.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Elgava Unika-2 Soviet vintage electric guitar
This rather eccentric-looking guitar was recently offered for sale on eBay, courtesy of a seller specialising in old East European and Russian guitars, whose guitars we have featured on this blog previously. (Possibly you could dedicate a whole blog exclusively to such guitars).
Unfortunately practically zero information is given about this instrument, other than a name - Elgava Unika-2 - which is contradicted by the "Untain" legend on the headstock. The name "SAMOPAL" is also given, but not explained.
The guitar itself is a typically crude example. The front of the body is faced with what looks like a metal plate, although I wouldn't be surprised if this was actually plastic, seeing as part of it has been snapped off. The body is very likely hollow within. Note how the guitar lead is wired straight into the guitar, which is probably slightly more convenient than having to mess about finding a guitar lead with a 5-pin DIN plug as with other of this guitar's contemporaries.
I wouldn't honestly expect this guitar to be a good player - the seller rather astutely declines to guarantee its playability. This is one for the collector of the weird and unusual.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Wednesday, February 24, 2010
Ceramic-bodied acoustic guitar
From the listing on eBay:
"This ceramic guitar was built by Gabe Turow, of www.StoneInstruments.com. Over the course of two months the ceramic guitar was born: with the sound of a steel guitar mixed with the plunkiness of a banjo, this guitar is a total trip. The body is ceramic and the neck is oak. The body was constructed by throwing two bowls on the wheel, joining them, and then securing the neck onto the resonator with construction-grade adhesive. The headstock was hand-carved. The guitar comes with an audiophile-quality piezo-electric 1/2"X2" tape microphone and 1/4" input jack for amplification."
An intersting concept. Here's a YouTube video to explain the construction process:
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Shelf Space and Paper Trails
This has been true in the print world since the beginning of print. The more copies available, the more exposure people have to those books. The more exposure, the more potential fans.
With authors, having big print runs is always a good thing. Even if a hardcover run doesn't sell that well, the books get remaindered. While authors don't get any royalties on these $3.99 discount titles found in the sales sections of bookstores, these books do find new readers, some of who will go on to buy the author's other, newer work.
If your book stays in print, and it's joined by other books of yours, this improves your chances to be discovered, because now you have shelf space. If your books take up five, ten, or twenty spots on a bookstore (or library) shelf, you're more likely to be noticed by browsers.
But your name on books isn't the only paper that counts.
Your name in reviews leads people to your books. Your name on the blurbs of other writers' books can also have a similar effect. Every short story you write and sell widens your potential fanbase.
Ads. Press releases. Articles. Every piece of paper your name is on can help your career, because it's one more reminder to the world that you exist. It's a paper trail that leads right to you.
But does this apply to virtual paper? How about ebooks and the Internet?
Yes. A thousand times yes.
The Internet is permanent. Every mention of your name and your books will last forever, leading people in your direction. And unlike print, which can take a long time to build up to reach that critical mass/tipping point where you become a household name, the Internet can work much faster.
As far as I know, no author has gone "viral" yet. Though some, like Cory Doctorow, Boyd Morrison, and Scott Sigler, have used the Internet wisely to widen their fanbase and turn popularity into money.
This blog gets thousands of hit per week. On weeks I blog about ebooks, my ebook sales go up. When I release a newsletter to 10,000 people, my Amazon numbers spike. If I Twitter something timely, I get more traffic.
Your digital name on digital paper (the world wide web) works twice. First, it works for those who see it when it happens. Next, it works for those who see it weeks, months, or years after it happened.
It can be both instant and cumulative. And it can be very effective.
As of today, Feb 24 at 9:07am, I've made $2750 this month on Kindle.
Next month, I'm putting four more ebooks up on Kindle (including an updated version of the Newbie's Guide to Publishing book.)
I'd be a fool not to. More ebooks means more chances to discover me, which means more potential sales.
The more shelf space I have, the more books I'll sell.
Which brings us to the obvious question: What can you do to get your name on more pieces of paper?
1. Look At Your Past - My early novels, which were rejected more than 500 times, have become long-term investments that are finally paying off. I wish I had more rejected novels. If you've got a book that was good enough to land an agent, but didn't sell, there's no reason you shouldn't be getting some of this ebook traffic. Just make sure the work is good.
2. Previously Published Work - Got some out-of-print novels? Some short stories or articles? Turn these into ebooks. Put them on your website for free, and on Kindle for a small fee. The more virtual shelf space you take up, the better.
3. Blog, Website, Social Networks - Your Internet presence is the perfect opportunity to find new readers. Surfers are looking for content. If you write a thoughtful blog, have a lot of free stuff on your website, and you're an active participant in online communities, you're getting your name out there, both passively (thanks to search engines) and actively (thanks to links and signatures.)
4. Reviews - Recently, several large NY Print Publishers announced they were discontinuing printed galleys and instead giving ebook advanced readers to booksellers and reviewers. Guess what? I've been doing this for years. I've sent out hundreds of ebooks for free to reviewers and bloggers and booksellers. If you can trade an advance ebook copy for a review, that's a small price to pay.
5. Writing. Writers write. If you're avoiding writing for the ebook market, you should perhaps rethink your priorities.
My third bestselling ebook on Kindle is TRUCK STOP. I wrote TRUCK STOP specifically for Kindle. And I had an insidious reason for doing so.
TRUCK STOP is a Jack Daniels novella, where Jack chases two killers. The first is Donaldson, the villain from SERIAL which I wrote with Blake Crouch under the name Jack Kilborn (and which has been downloaded more than 200,000 times.) The second is Taylor, the villain from AFRAID by Jack Kilborn.
TRUCK STOP is basically a gateway drug. Those who read SERIAL for free, or TRUCK STOP for $1.59, will often go on to read AFRAID and the entire Jack Daniels series. TRUCK STOP is a fun story, with some thrills and laughs, but its ultimate goal is to lead people to more of my writing. It's currently the #380 bestseller in the Kindle store.
AFRAID is currently #756 in the Kindle store. It came out ten months ago, and is priced at $5.59.
WHISKEY SOUR is currently #3174 in the Kindle store, priced at $4.79. That's not too shabby, considering it came out six years ago.
Why is a six-year-old book selling better than 420,000 other Kindle titles, many by big bestselling name authors?
Because of shelf space and paper trails. Because I've positioned myself there, with low cost Kindle books and timely blog topics. Because I've blurbed a lot of authors, and keep my website updated, and use Twitter and Facebook. Because I've toured, and been reviewed, and gone to conferences, and generally done all that I can to get my name out there.
I never got big discounting in the bookstores, or coop. I never got huge marketing campaigns. I never got big print runs, or my books in Sam's Club and CVS.
Yet I'm still standing. And I can't help but think it has something to do with my efforts to get my name on as many pieces of paper--both dead tree and virtual--as I possibly can.
Quality counts. But quantity is important too.
It would be wonderful if every new book got a huge print run and a major advertising campaign and a giant marketing push. I'm still waiting for that to happen to me.
But while I continue to wait, I'm doing everything I can to make my own luck. And as the tide shifts from DTBs to ebooks, more and more authors are going to make their own luck, too.
Do you want to be one of them?
Norma EG-400 solidbody electric from the late 1960s
Here's an unusual one: it's a Norma EG-400, circa 1967, built by the Tombo Instrument company in Japan and imported into the US by Strum & Drum of Chicago. Aside from having the tremolo arm missing, this guitar appears to be in remarkably good condition for its age. One nice little detail is that the fingerboard inlays are appropriately "N"-shaped. Except that, sideways-on they look "Z"-shaped.
Note the unusual arrangement of four three-string pickups. You can see the available switching options in the photos reproduced below. Other controls include a 3-position tone selector switch.
Thanks to David Brown who spotted this guitar on eBay.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Tuesday, February 23, 2010
Martin Guitar donates $20,000 one-of-a-kind guitar to Christie's for 2010 inaugural "Green Auction"
[NB: I don't normally like posting press releases here on Guitarz, but the notion of a guitar being worth $20,000, whilst quite obscene, makes it worthy of mention. It's a stunning looking guitar too - and so it should be! At least Martin are doing the right thing with their donation to this auction. - GLW]
STAR-STUDDED EVENT TO BE HELD ON EARTH DAY, APRIL 22
PROCEEDS FROM AUCTION TO BENEFIT CONSERVATION INTERNATIONAL, OCEANA, NATURAL RESOURCES DEFENSE COUNCIL AND THE CENTRAL PARK CONSERVANCY
[That's enough upper case now, thanks. - GLW]
Nazareth, PA – February 22, 2010 – In tune with Martin Guitar’s environmental philosophy, C.F. Martin & Co. has donated a rare 000 12-fret Peter Cree Certified Wood Guitar (photo attached) to Christie’s International, the world’s leading art business, for their upcoming “A Bid to Save the Earth” Green Auction.
This first-of-its-kind charity auction will take place on April 22, 2010 to coincide with the 40th anniversary of Earth Day. Proceeds from the sale will be divided among four leading not-for-profit environmental organizations: Conservation International, Oceana, Natural Resources Defense Council and the Central Park Conservancy. All four beneficiary organizations are 4-Star rated by CharityNavigator.org, its highest rating for not-for-profit organizations.
Estimated in value at $20,000, the one-of-a-kind Martin Custom Shop 000 12-fret Peter Cree Certified Wood Guitar features original Southwestern artwork executed in hand-applied colored lacquers by renowned painter/sculptor Peter Cree. Known for developing and incorporating a decorative finishing technique intended for high-quality acoustic instruments, Cree’s work has been highly sought-after across the country for his creation of new pieces, as well as his expert restorations of fine art and instruments.
Constructed with 100% Certified tonewoods from ecologically well-managed forests, the 000 12-fret Peter Cree Certified Wood Guitar features Chechen headplate, back and sides; a four-piece Adirondack top; Katalox fingerboard and bridge; cherry neck, front and rear block; basswood ribbon linings and braces; and artistic inlays of Micarta, cherry and turquoise.
“For nearly two decades, we at Martin Guitar have been devoted to pioneering a movement of ecological responsibility within the guitar industry,” said Chris Martin IV. “C.F. Martin & Co. is proud to have contributed such an artistically creative and ecologically symbolic instrument in support of charitable environmental initiatives through this special Christie's auction.”
Held at Christie’s, Rockefeller Center, New York and carried live globally via Christie’s LIVE™ on www.christies.com.The Evening Sale will be a star-studded event with top celebrities serving on the Green Auction Host Committee that includes: Leonardo DiCaprio, Harrison Ford, Tobey Maguire, François-Henri Pinault, Salma Hayek, Bob Fisher, Candice Bergen, Ed Norton, Evelyn Lauder, Alec Baldwin, Zaha Hadid, Brooke Shields, and Matt Lauer. Additional lots for auction will include major works from artists, coveted celebrity experiences, upscale eco-vacations and exquisite jewelry.
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Gittler Guitar
The original handmade Gittler guitar was an object lesson in minimalism. Here was something that looked like a cross between a metal fish skeleton and a TV aerial, yet is was actually a fully-functioning guitar.
The design not only dispensed with the headstock but even the bulk of the neck itself. The neck was simply a steel rod supporting a series of smaller steel rods acting as frets. What there was of the body consisted mainly of six steel rods running beneath the strings. Each of these contained a pickup - one for each string allowing for interesting stereo and panning options.
Original examples were built by Alan Gittler in the late 1970s. In the early 1980s, production instruments were built in Israel by the Bar Rashi company founded by Alan Gittler. There were two models, both of which now had small plastic-resin bodies containing the electronics, whilst one model had the same plastic material forming a "back" to the neck. This latter version is the one we see pictured here and an example of which was recently offered for sale on eBay. For a picture of the version without the plastic neck back, I refer you to pp.140-141 of 500 Guitars (another little plug there!).
I was fortunate enough to be able to try out each of these models soon after they went into production back in the day. You'd imagine that the model with the plastic material behind the neck would be easier to play. It wasn't. It just made for an uncomfortable, bulky neck. Aesthetically it's not as nice either.
However, the other version - the proper fish skeleton model - I loved.
It wouldn't be a good guitar for shredding on, and I think you'd need to adapt your playing style especially for the instrument. For starters, you need to have the thumb of your left hand firmly on the back of the neck in a classical playing position. I saw one guy trying it out who insisted on wrapping his thumb over the top, Hendrix-style, and that just didn't work. Possibly, you could use this as a tap-style instrument. I think it's one that you need to approach with fingers lightly floating over the frets (I can's say "fretboard" because there isn't one!). It's not a neck you are able to hold, as such.
Alternatively you could view it as the utlimate in scalloping!
If you want to see one in use, most people will point you in the direction of the video of "Synchronicity II" by The Police, but here Andy Summers is merely using his (pre-production) Gittler as a prop. The only example I can find of someone genuinely playing a Gittler is here.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Gretsch New Jet 6114
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Monday, February 22, 2010
BC Glass Studios Fused Glass Guitar
We've all seen see-through acrylic-bodied guitars before. However, I want to stress that is NOT what we are looking at here.
Back in June 2007 I made a one-line entry on this blog with a link to BC Glass Studio. My comment at the time was that:
"BC Glass Studio make custom handmade one-of-a-kind fused glass guitars. Which you can't play - these are sculptures."Well, all that has changed!
Brian Chivers, the guy behind BC Glass Studio of Weukesha, Wisconsin, accepted a challenge from the legendary, and now sadly departed, Les Paul to "build one you can play". Pictured here is the result.
This is another of the 500 Guitars listed in the book of the same name. Whilst that sounds like a deliberate plug, I mention it because about a month ago I received the photo opposite in an email asking if it wasn't too late to make it into the book.
Unfortunately the book had already gone to print, but I promised I'd show the picture here on the blog.
Actually, I think that's rather a good idea.
I'm going to go through 500 Guitars and find guitars listed which do not have pictures printed in the book and, where possible, post them on this blog. Some guitars, of course, we've already looked at one this blog and will be in the archives somewhere. (Perhaps it's time to enlarge on our keywords - as displayed at the bottom of each post and listed in their entirety at the foot of the page - and include ALL manufacturers, so as to make this blog easier to search).
I already started with yesterday's post on the Hagstrom/Goya guitar. I won't be copying the text out of the book as that is now copyrighted and the property of the publishers, but I'll still tell you what you're looking at!
There were also a handful of guitars that I wrote about that didn't make it into the book at all, and so I'll be featuring these on the blog soon too.
But for now, let's take another look at that Brian Chivers fused glass guitar:
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Hoyer Jazz Guitar
bertram
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Sunday, February 21, 2010
1959 Framus Tenor Thinline 'Peter Kraus'
bertram
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Hagstrom/Goya - blue glitter, pearloid and perspex
This early 1960s' blue glitter-topped Hagstrom bears the Goya brandname as it is an example of this guitar that was produced for the US market. I believe it's a Deluxe EDP 80 as used by Bryan Ferry in Roxy Music, but the exact names and model numbers can be confusing.
All the quirky features are there: the metal plate surrounding the pickups; the pushbutton selector switches; the radio-style grill between the pickups; the perspex fingerboard and headstock with pearloid backing. Although you can't see it in the photos here, the back and sides are also finished in pearloid. It's definitely a guitar that makes a statement!
This guitar is one of the 500 listed in the "500 Guitars" book, but alas the publisher was unable to turn up a photo of it, so I'm making up for it here!
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Saturday, February 20, 2010
When relics go bad... Mexican Tele abused with power tools
I was going to just let the pictures do the talking, but I want to quote from the eBay listing of this very sorry-looking Telecaster:
You are bidding on a very cool guitar. [Who says I'm bidding? I was just LOOKING! - GLW] It's (sic) name is TED. Once it was a boring, almost offensive Mexican Telecaster with a Fishman Bridge. Now it is an edgy monster of a Telecaster that will get you more compliments than you can imagine. This guitar is in perfect working condition despite its appearance. It was disassembled, decorated, and then put back together with a stacked humbucker in the bridge position. I believe the middle and neck pickup are original. You can obtain an acoustic-electric tone with the Fishman, a traditional Telecaster tone, or both at once. Included in this package is a special sustain enhancing device attached to the headstock, the Fat Finger, made by Groovetube. It doesn't actually increase sustain, but it is a good conversation starter. Enjoy bidding on what some consider a work of art.... and yes, that belly cut was done with a sawzall. This guitar does currently need to be setup, but will play great once it is. A fender gig bag is included in the sale.
Truly dreadful.
What kind of compliments is this seller speaking of? "Hey buddy, you made a good ol' mess of that guitar with your electric drill, didn't ya?"
I would find the comment about the Fat Finger sustain device not helping with sustain but being a "conversation starter" hysterical, if I wasn't so appalled at the gross incompetence so clearly on display here.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
An Interview with Vintage Guitar Restorer and Historian Richard Johnston
If you've ever wondered about the history of the guitar, how the instrument first gained popularity and where the likes of the Hawaiian guitar, mandolin and ukulele all fit into the picture, then you could do a lot worse than to read this Interview with Vintage Guitar Restorer and Historian Richard Johnston courtesy of Collector's Weekly. Absolutely facinating stuff.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Friday, February 19, 2010
Vintage Gretsch tenor guitar from 1963
There was a time when big name manufacturers such as Martin, Gibson, Epihone and Gretsch would produce tenor versions of their popular six-string guitars. Pictured above is a Gretsch George Gobel Model tenor guitar from 1963. By the 1970s most manufacturers had more or less abandoned production of niche instruments such as this.
I have to confess that I didn't know who George Gobel was, so I had to look him up. It seems bizarre to think that a large manufacturer such a Gretsch had a signature model for a comedian and TV presenter! These days that would be so uncool. Gibson also had a George Grobel model, the L-5CT archtop.
Thanks again to Doug Barker for drawing my attention to this eBay find.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
1973 Jolana Iris Thinline
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Thursday, February 18, 2010
Bizarre electric tenor guitar... or is it an electric banjo?
Guitarz reader Doug Barker brought this very strange 4-string electric to my attention.
It has a 27" scale, and so is much longer than a tenor guitar which tend to have a scale length between 21 and 23".
I wonder if the neck has come from a 5-string banjo because of its length and because of the headstock shape (although it looks like a piece has broken off). However, it doesn't have the fifth string or the "step" in the neck at the fifth fret where the extra machine head would be located. It's possible that the neck has been reworked to give it an even taper along its length.
The guitar is fitted with two pickups each of which has its own output lead. These would be the kind of magnetic pickups designed to be used on a flat-top acoustic. The rear pickup is quite a sought-after DeArmond unit (in fact, the same unit that John Martyn used to have on his Martin acoustic. I never did understand, by the way, the reason that there is a polepiece missing in the B-string position. Does anyone know?).
As this is a one-off instrument (apparently having belonged to the seller's grandfather), it's very likely that it was tuned to the player's own requirements and it doesn't necessarily have to adhere to the conventions of guitar, tenor guitar or banjo. Those are just labels that are convenient to help our own understanding.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Wednesday, February 17, 2010
Martin Cole Solid Acoustic
Here's a one-off solid-bodied acoustic guitar from UK luthier Martin Cole and which is currently for sale on eBay. "Solid-body acoustics" are of course really electric guitars designed to reproduce an acoustic sound, usually for live performance. The advantage they have over a real acoustic miked up or equipped with pickups is, of course, that they are not vulnerable to feedback. (I remember once trying to play my Eko Ranger XII at volume in a live band situation. The feedback nearly shook it to pieces.)
Many "solid acoustics" on the market retain the aesthetics of a genuine acoustic guitar so you get features such as fake soundholes, and indeed we see one of those here on this Martin Cole guitar. However, I like the fact that the guitar shape is highly stylized, as if the design itself is acknowledging the guitar's hybrid elecric/acoustic nature.
All in all, a very nice piece. Such a shame that the current seller has to part with it because the onset of arthritis means that the guitar doesn't get played.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Jacobacci Tenor Guitar
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Understanding Kindle Bestsellers
So I'm going to ask you what you think.
Currently, I have four self-published ebook novels on Kindle, each priced at $1.99. As of right now (Feb. 17 at 7:20am) one of these novels has sold 1327 copies so far this month. Another has sold 519 copies. The third has sold 212. And the fourth novel has sold 166.
There's a big gap between 1327 and 166. And I've been scratching my head for months, wondering why that gap has stayed so wide.
Is it cover art? Is it genre? Is it the writing sample people can download for free before they buy? Is it the product description? Is it bestseller ranking (meaning a bestseller continues to be a bestseller because people see it on the bestseller list)? Is it word of mouth?
The natural assumption would be that this book sells the best because it is my best. But I don't feel it's better than the others, and neither do readers if we go by reviews and the email I get.
This gets even stranger, because if I look at the downloads on my website (three of these books are available for free on my site) the bestseller on the Kindle store isn't the bestselling download on my webpage, even though the ebooks all have the same cover art and description as their Kindle counterparts.
Color me confused.
These books have been on Kindle since April. One might think that the numbers would have reached some kind of equilibrium by now. That the biggest seller would slow down, and those who read it and liked it would be buying the other three books. Or that the top bestseller slot would change.
But it hasn't. These four books have been in the same bestselling order since April. Here are their total sales so far:
First bestseller: 9691
Second bestseller: 5014
Third bestseller: 2239
Fourth bestseller: 1716
My question to you is: why?
I'm going to post the covers and the product descriptions for all four. I'm also going to post links, if you're so inclined to download the free sample.
After you look at the covers and descriptions for each, tell me which you think is best, and why.
DISTURB
A medical investigator tormented by secret guilt.
A beautiful doctor with an illicit desire.
A millionaire businessman indulging a passion for murder.
And a human guinea pig who has been awake for seven straight weeks.
DISTURB by JA Konrath
You’ll never sleep well again...
JA Konrath is the author of six mysteries in the Lt. Jacqueline "Jack" Daniels series, including Whiskey Sour, Bloody Mary, Rusty Nail, Dirty Martini, Fuzzy Navel, and Cherry Bomb. Disturb is Konrath's first medical thriller.
Disclaimer: This novel is filled with extortion, conspiracy, taboo sex, hidden secrets, shocking violence, and murderous betrayal. Not recommended for the faint of heart.
This ebook version also includes the bonus horror short story, "Dear Diary," about a very special pom pon girl.
THE LIST
A billionaire Senator with money to burn...
A thirty year old science experiment, about to be revealed...
Seven people, marked for death, not for what they know, but for what they are...
THE LIST by JA Konrath
History is about to repeat itself
JA Konrath is the author of six novels in the Lt. Jacqueline "Jack" Daniels thriller series. The latest is CHERRY BOMB.
THE LIST is a bit of a departure for Konrath. It's a technothriller about a group of ten people who each have tattoos of numbers on the bottoms their feet, and don't know why.
One of them, a Chicago Homicide cop named Tom Mankowski, has had one of these strange tattoos since birth. When he investigates a violent murder and discovers the victim also has a tattooed number, it sets the ball rolling for an adventure of historic proportions.
To say more would give away too much.
Like the Jack Daniels series, The List combines laugh out loud humor with serious suspense and thrills.
ORIGIN
Thriller writer J.A. Konrath, author of the Lt. Jack Daniels series, digs into the vaults and unearths a technohorror tale from the depths of hell...
1906 - Something is discovered by workers digging the Panama Canal. Something dormant. Sinister. Very much alive.
2009 - Project Samhain. A secret underground government installation begun 103 years ago in New Mexico. The best minds in the world have been recruited to study the most amazing discovery in the history of mankind. But the century of peaceful research is about to end.
BECAUSE IT JUST WOKE UP.
ORIGIN by J.A. Konrath
All hell is about the break loose. For real.
SHOT OF TEQUILA
A GUTSY ROBBERY
Several million bucks, stolen from the mob...
A PERFECT FRAME
All caught on video, with no chance of redemption...
A RED HOT RECIPE FOR RAMPAGING REVENGE
Now one man must face the entire Chicago Outfit, a group of hardened Mafia enforcers, a psychotic bookie, the most dangerous hitman on earth, and Detective Jacqueline Daniels...
His name is Tequila. And he likes those odds.
SHOT OF TEQUILA by JA Konrath
---------------------------------------
So tell me, based on the above, which is the most appealing? What's the best cover? What's the best description? Why is the bestselling ebook selling almost seven times the number of the least selling ebook, when they're all thrillers written by the same author and with similar styles?
I'm eager to hear your responses, because I flat out have no idea why one book sells more than the other three combined.
If you follow this blog regularly, or click on the links to read the free samples (you can download a Kindle reader to your computer for free), you already know which one is my bestseller. But please refrain from trying to explain why it's the bestseller, because that's attributing significance to an occurrence after it happens.
Instead, tell me what does or doesn't appeal, and if you had to buy one of these books, which one it would be and why...
Which JA Konrath Kindle Ebook Would You Buy First?
Tuesday, February 16, 2010
Goya solidbody with a possible Martin connection
We've had another email, as follows:
Hey - was wondering if you or your audience could give me any info on this guitar.My own understanding of the Goya brand, was that it was just that - a brandname used to sell guitars in the United States. For example, Sweden's Hagstrom guitars were re-badged "Goya" for the US market.
I picked this up a couple years ago, and don't know much about it. It's a Goya that looks very similar to a Martin E-18, which from what I can tell is their only foray into solid body electrics. I've seen these online with headstocks labeled EF Martin, Sigma Martin, but never Goya. It's my understanding that Goya was bought by Martin at some point in the late 70s, so I'm guessing the E-18 was just a rebranding of this Goya model? I don't know. It's a great sounding and playing guitar, never seen another one though.
Thanks in advance!
-Tim
I think you may have (semi)-answered your own question, Tim. That it was a brandname bought out by Martin. Perhaps they badged their own electric solidbodies with the Goya brandname because the Martin name was so firmly established in everyone's mind as being an acoustic brand. That the guitars also appeared branded Martin and Sigma suggests different marketing strategies at different timess, perhaps?
If anyone else reading has any more info, please let us know!
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Ladies of the silver screen on a sawn-off Strat
This teardrop-shaped guitar looks like a Strat with the horns sawn off, although the shape isn't quite right for that. (A sawn-off Kawai Aquarius, perhaps?)
The guitar has been adorned on front, back and headstock with images of female movie stars from post-war cinema. The images - cut from magazines, I guess - are sealed beneath five layers of varnish. Unfortunately I can't tell you who's who, because this is not my area of expertise.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Hutchins sextuple-necked guitar/bass
We've looked at this beast before. Just two years ago this ridiculous instrument was selling for £549 - now it's being listed at £899. That's inflation for you!
It's also a lot of money to spend on an "instrument" that is more or less a display item. Let's face it, it's not really going to be possible to even reach let alone play any of the lower three necks, and even if you just played the uppermost necks, can you imagine the weight and sheer awkwardness of that thing?
You could use it as a stage prop perhaps, just on the one song, but even then it's going to be an inconveniently-shaped piece of gear to cart around to gigs. It'd need one hell of a flightcase. I believe it only comes with a tent-like "gig bag" (see previous post on this guitar).
This seller suggests that even if you can't play all six necks it would still make a good "wall peice" (sic). I don't know about you, but if I hung that up in my house, I'd be worried about it bringing the whole wall down.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Fano Alt De Facto SP6 Rustbucket
This guitar, looking like a cross between a Les Paul Junior and a Telecaster, is a Fano Alt De Facto SP6 Rustbucket. It's easy to see where is gets its name from, for it is finished in a distressed "rusted" fashion. Of course, James Trussart's rusty steel-bodied guitars spring immediately to mind, but the curious thing about the Rustbucket is that it is not metal-bodied at all. The body is actually alder with a spruce top.
To my way of thinking that is a bit odd. If I wanted a rusty guitar, I'd want it to be metal. I have to say, though, that I prefer shiny metal bodies. Each to their own, I suppose.
For more Fano guitars, please see: www.fanoguitars.com
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Monday, February 15, 2010
Aria Pro II Urchin U70
Bertram
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Kudzu and Kindle
In the history of publishing, this was usually a slow and steady process. You write a book. Then you write another a year later. And another a year after that. Hopefully the publisher keeps them in print, the bookstore keeps them on the shelf, and the fans like them and talk about them. This linear approach, if kept up long enough, can lead to a career, and even a spot on the bestseller list.
But there's an easier way to achieve market penetration and saturation.
Instead of releasing one book at once, you release sixteen.
There's a plant known as kudzu, which is widely hated in the south because it takes over cropland. It grows fast, and uses runners to spread. Kudzu can quickly saturate an entire field. One patch becomes two patches, then four patches, then sixteen patches, and pretty soon it's everywhere you look.
I'm noticing a similar phenomenon with writing in general, and ebooks in particular.
I've always believed that being prolific and diverse are the two biggest things a writer can do to create fans. Because of this, I write a lot of short stories, in various genres. The effect works as intended. I've got a few hundred thousand novels in print. But my short stories have been printed millions of times. Each published story is an opportunity to gain a new fan, some of whom will buy my books.
This approach has served me well. I get a lot of fan mail about my short work, and it often leads to the intended effect; to point readers toward my novels.
But this still isn't literary kudzu. It's a slow, gradual build up (albeit faster than if I only did novels.)
Then along comes the Kindle.
For those new to my blog, here's a recap of how I got started on Amazon.
Ever since my first novel, Whiskey Sour, was published back in 2004, I've had a website, www.jakonrath.com. I understood early on that people on the internet are looking for free content, and the two main forms of content are information and entertainment. So, from the very beginning, I've had free downloads on my website. Lots of short stories, and several of my pre-Whiskey Sour novels that couldn't find publishers.
After the Kindle's debut, I had Kindle readers contact me, saying the pdf downloads I offered on my site weren't compatible with their ereader. Could I please somehow make my ebooks available on Kindle?
So I did. But I wasn't allowed to give them away for free. So after some experimentation, I settled on a $1.99 price point.
This was in April 2009. In ten months and a few days, I've sold about 26,000 ebooks. In the first fourteen days of February, I've already made $1600. My bestseller, The List, isn't just the number one bestseller in the Kindle police procedure category, it's the number one bestseller in the overall police procedure category. In other words, I'm outselling print novels from Jonathan Kellerman, JD Robb, James Patterson, Robert Crais, Michael Connelly, Harlan Coben, John Sandford, and everyone else. (For the curious, this book is averaging 82 sales per day.)
That's pretty astonishing. All of these writers are NYT Bestsellers. I am not. I'm just a midlister with a low cost ebook.
But here comes the kudzu tie-in. I've recently learned that all six of my Jack Daniels ebooks are among my print publisher's top 50 Kindle bestsellers. These books are priced higher than $1.99. In fact, one of them costs $9.99.
On the Kindle police procedure bestseller list, I currently have 7 books in the top 100.
This is instant market penetration and saturation. Unlike a slow, gradual growth, this is more like kudzu, which pops up in a bunch of places at once and keeps spreading out. Different readers discover different ebook titles of mine, and it sends them to other ebooks.
The more chances you have to be discovered, the more you'll be discovered. Building a fanbase, which used to be linear and gradual, now becomes more like a patch of weeds, spreading out in all directions and at great speed.
So you want to be a Kindle bestseller?
The more quality content you have, the better your chances. Short stories. Out of print books. Unpublished work that your agent couldn't sell.
This is more than just a quick way to make a buck. This is getting a firm foothold in the oncoming digital revolution.
I used to be known as the guy who wrote nine unpublished novels and got over five hundred rejections before landing a book deal.
Now I'm known as the guy who pays his mortgage selling books on Kindle that NY rejected.
Be the kudzu. Join the revolution before everyone else figures this out and it's harder to get noticed.
Sunday, February 14, 2010
Stroup Tele that thinks its a Jag
This is a handmade T-type guitar from Stroup Guitars currently being offered for sale on eBay. Made from Canadian Maple and with solid brass metalwork, by the maker's own admission it looks a little rough round the edges, rugged even, but I think this is part of its charm. The maker also mentions that he was inspired to build this having played a Jag for many years, and indeed this guitar does feature metal plates and Jaguar-like controls. Whether these controls include the Jaguar's now legendary "strangle switch", I couldn't say. Also it's a shame there's no Jag-style trem.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!
Seeing as it's (St) Valentine's Day...
Anyone who knows me will know how cynical I am about days like these - "Valentines Day" (sic) - which are a modern media-controlled corruption of an old folk tradition. Saint Valentine's Day (to give it its correct title) used to be all about a sending anonymous cards and gifts to someone that you secretly admired, but now it's just another corporate extolled greed-fest, the sole aim of which is to spend spend spend to show your loved one that you really can be romantic at least one day out of 365.
Sorry, I went off onto a bit of a rant there.
But, despite such cynicism, the above guitar is too good to miss out on, because today of all days it is topical. It's another of Maccaferri's wonderful plastic guitars, this model being called The Romancer. These guitars were originally produced in 1953 and - despite their toy-like appearance - were intended as serious highly-functional instruments. I expect that with this particular model you were encouraged to serenade your loved one, as depicted in the images on its top.
Read more about Macceferri's plastic guitars and ukuleles here.
G L Wilson
NB: Please make sure you are reading this Guitarz post at guitarz.blogspot.com and not on a Scraper blog that copies posts without permission (and steals bandwidth) so as to profit from advertising. Please support original bloggers!