Sunday, July 31, 2011

Benefit to Help Author L.A. Banks

Every once and a while this blog has the opportunity to help someone above and beyond the normal ebook rah-rah-rah.

I met Leslie Banks at a conference in New Orleans, and she quickly became a friend. She was interested in self-publishing, and I got her in touch with my people (Rob Siders, Carl Graves. Cheryl Perez--all in the sidebar) who helped her self-publish her novel Shadow Walker.

Leslie was recently diagnosed with late stage adrenal cancer, and she's getting hammered by medical bills. This is from the Liar's Club website:

Come network, rub elbows with authors and editors, and, above all, have a night of fun for a good cause. It’s all part of a special Writers’ Bash on Saturday, August 6th, beginning at 7 p.m. and going on till closing at Smokey Joe’s bar located at 208 S. 40th Street in University City on the University of Pennsylvania campus. Nab your ticket and reserve your spot now by clicking here.

At the bash, enjoy music and munchies, discounted drinks, and chances to bid on amazing silent auction items including full manuscript critiques by top New York literary agents and editors! (*Just added items to auction list: scholarship to the Backspace Conference in NY, and a chance to name a character in the upcoming thriller STIRRED by Joe Konrath and Blake Crouch!) Admission to the event, which is sponsored by the Liars Club, is $20, $10 for college students with I.D. All proceeds go toward the expenses of ill author, Liars Club member and wonderful friend Leslie Esdaile Banks (who writes under the name L.A. Banks). Leslie is battling a rare cancer.

At the Writers’ Bash on August 6th, in addition to $2 beers and $3 wines, there will be a special drink for the adventurous called “The Vamp,” dedicated to Leslie and her popular Vampire Huntress novels. And throughout the night, try your luck in a 50/50, and with inexpensive basket raffles. And don’t forget that impressive silent auction.

“The silent auction is going to be really exciting,” predicts Random House author and Liar Marie Lamba. Items include tickets and a backstage tour for Jersey Boys on Broadway; full scholarships to writer’s conferences such as Backspace; signed books by New York Times bestselling authors such as Charlaine Harris, Heather Graham and Sherrilyn Kenyon; and the coveted manuscript critiques offered by a number of New York editors and literary agents. Lamba says, “How much would you pay to have your full manuscript read by a top literary agent? And then have that agent give you a full critique over the phone? For us writers, that’s simply priceless.”

So far, we’ve got crits offered by editors from Pocket Books, St. Martins, and Ace/ROC. Literary agent crits hail from McIntosh & Otis, Harvey Klinger, Jennifer DeChiara Agency, the Bent Agency, and Folio. More great stuff keeps being added. To see the most up-to-date details of this event and the latest items added to the auction, click on the Writers’ Bash Details tab above, or click here.

“Personally, I’m really looking forward to the Bash, and getting to know even more writers and editors from our area,” says New York Times bestseller Jonathan Maberry. Maberry, who is a founding member of the Liars Club, went to Conwell Middle School with Leslie in Philly. “Leslie is an exceptional treasure. A warm and talented woman.”

L.A. Banks (right) with Merry Jones at one of our many high-spirited Liars Club talks

Leslie (L.A. Banks), a New York Times and USA Today best-selling author, has written over 40 novels and 21 novellas. She was honored by the University of Pennsylvania Black Alumni Society as “A Living Legend,” and Mayor Nutter appointed her to the Philadelphia Free Library Board as a commissioner on the Mayor’s Commission on Literacy. In 2010, as a single mom and freelancer faced with a massive increase in her insurance bills, she fired off an eloquent email to the White House. President Barack Obama took notice, and Leslie had the distinct honor of introducing the President when he came to Philadelphia to talk about health care reform.

Ironically, just a few months ago Leslie learned she had late stage adrenal cancer, and that her insurance is inadequate, leaving her family facing massive expenses.

Leslie is a University City resident, and a Penn and Temple graduate. “She’s truly one of our own,” Maberry says, “and we hope everyone will come out in full force to Smokey Joes on the Penn campus to honor this amazing woman and help her family at this difficult time.”

“This will definitely be a red-hot meetup,” says Lamba. “A chance to network with the creative community, and do some good, too. So join the Liars Club and come hoist a cold one for Leslie. It’ll be a blast. Honest!”

Joe sez: If you can't attend, you can still help. They've set up Paypal donations for Leslie.

*Can’t make it to the bash, but want to help out? Then donate toward Leslie’s medical costs by clicking here: (Note, donations are not tax deductible.)










I donated $2000.00. But any amount is helpful.

I'll send a signed hardcover of Bloody Mary to anyone who donates $30 or more. Just forward your Paypal email receipt to me.

Harmony Parlour guitar, circa 1927-34, with airplane bridge in honour of Charles Lindbergh

guitarz.blogspot.com:
Today I want to show you something that represents a minor footnote in the history of the guitar, but nonetheless is one of those little factoids that I find fascinating.

The above pictured "Mystery guitar" was recently being offered for sale on eBay. The seller was commenting that they had never seen a bridge quite like this on any guitar.

It is actually a Harmony parlour guitar featuring an airplane bridge, which Harmony began putting on their guitars in honour of Charles Lindbergh's Orteig Prize-winning solo non-stop flight in his aircraft Spirit of St. Louis on May 20–21, 1927, from Roosevelt Field located in Garden City on New York's Long Island to Le Bourget Field in Paris, France. At the time this was major news, spawning all kinds of merchandise and references in popular culture; Harmony were merely jumping on the bandwaggon and such was the sensation surrounding Lindbergh's achievement that Harmony went on producing guitars with these bridges until 1934.

Here is another example of a Harmony with airplane bridge currently being auctioned on eBay.

Quite how the bridge affects the sound of the guitar, I couldn't say. On the one hand the increased footprint should transmit more of the strings vibration to the guitar's top, but on the other hand it could also have a dampening effect on the top. Nevertheless the eBay sellers have been claiming that these are incredible sounding blues machines. Take that as you will; it could be true or there may be a touch of eBay seller "spin" going on there.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Saturday, July 30, 2011

Military Gas Can "Dobro"

guitarz.blogspot.com:

Mark Rubel from Pogo Studio in  Champaign, IL, tells us:
I’ve got a delightful bluegrass/country client named Tex Wynn, a retired machinist now in his 80s. He restores Model T Fords and is an expert on Native American arrowheads. He’s built a number of these fun instruments, including a bass with a Precision neck on two gas cans welded together end to end, on an endpin with a golf ball on the end. Tex also built a concert grand washtub bass, which looks kind of like a coffin with a horizontal washtub and a beer puller to tension the clothesline.

This fine example sounds good, and the Teisco neck is unbendable if not precisely placed. The clothes line strap is a nice touch. The tone is actually different when the cap is on. I tell clients that it gets 34 notes per gallon, 45 highway.
Thanks, Mark, for letting us see that (and some of your other guitars that we will no doubt be looking at again on this blog).

Please keep those guitar photos coming in, folks, and don't forget that we're looking for submissions for our Guitarz Calendar 2012.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Burny MG-145S HY looking suspiciously like a day-glo B.C. Rich Mockingbird

guitarz.blogspot.com:

Indeed, you would be forgiven for thinking that this might be a somewhat colourful B.C. Rich Mockingbird - it even has the cloud-shaped fingerboard inlays. However, it is a Burny MG-145S HY, another signature guitar of the late X Japan guitarist hide.

The colourful design reflects hide's flamboyant dress sense;
X Japan were considered pioneers of the visual kei movement, although by the time hide joined the band the other members were beginning to drop visual kei aesthetics.

The Burny MG-145S HY is equipped with a Fernandes Sustainer (remember, Burny is a brandname of Fernandes, so this is essentially a Fernandes guitar), a feature that hide used on many of X Japan's songs.

This guitar is currently on sale on eBay with a Buy It Now price of $2,333 which, no doubt, some would think optimistic for a B.C. Rich "copy".

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Friday, July 29, 2011

1960 Bartell doubleneck - looking a bit Mosritey perhaps?

guitarz.blogspot.com:
We've looked at the creations of Paul Barth before here on Guitarz. This Barth 6+12 doubleneck does not have the elegance of his celebrated but hard to track down Black Widow guitars but is no doubt even rarer. There is more than a hint of Mosrite to it - not surprising when you learn of the links between Paul Barth and Mosrite's Semi Moseley (they had worked together at Rickenbacker and later a quantity of Black Widow guitars were produced by Mosrite), but the whole guitar does have the look of an instrument that has been thrown together from whatever spare parts were lying around. Witness the shape of the control plates and the pickguards - those on the upper six-string neck have no reason to follow the body contours that they would on a single-necked guitar. Note also that the necks look identical - the six-string headstock looks huge and appears to be the same size as its 12-string twin.

Thanks to Mark Rubel who spotted this one on eBay where it is currently being offered for sale with a Buy It Now price of $2,495.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Thursday, July 28, 2011

Wandré Davoli 603 BB Artist


Can't resist showing another Brigitte Bardot model  by Wandré Davoli (you can't have forgotten this one, can you?) but it's no so often that you find such fine pictures of such a well preserved model - and we are complete fans of Wandré's crazy guitars here. 

Like usually when it comes to rare Italian vintage guitars, all the information I would write would be copied on the excellent Fetish Guitars website, so I prefer to let you have a look there yourselves... And here come a few more photos.



Bertram

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!
guitarz.blogspot.com:
guitarz.blogspot.com

Wednesday, July 27, 2011

Ultra rare (I mean it) Daion acoustic 12-string



It is extremely unlikely that you ever crossed this Diaon acoustic 12-string guitar: not only Diaon was a short-lived (and cult nowadays, for having produced very fine instruments) Japanese-Texan brand from the late 70s, but usually their acoustic guitars didn't sport the back cutaway that you already saw on the Headhunter 555 showed on Guitarz last summer. 

Cannot tell more unfortunately!




Bertram

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!
guitarren.blogspot.com

One-off Burns Marvin/Bison hybrid circa 2009/2010

guitarz.blogspot.com:
This Burns Marvin/Bison hybrid was made by Barry Gibson at Burns during 2009/2010 and combines the features of two classic Burns guitars from the 60s. It is supposedly the only Marvin type guitar with a Bison headstock in existence.

The guitar features an Ash body in the Marvin shape with an extended lip on the neck pocket. The neck is of plain maple with an unbound rosewood fingerboard, 10" radius and 6105 fretwire. The headstock, modelled on a '63 Bison, has an Old Ormston Burns (OB) headstock decal instead of the Marvin type, standard MOP neck markers, and is painted Jet Black with 21 frets plus a Zero fret.

The pickguard is a unique black one piece similar to '63 Bison and features an oversized Burns London logo. Other appointments include chrome hardware, chrome Rez-O-Tube vibrato, and chrome van Ghents machine heads, while electrics are Burns hand-wound UK made Rez-o-Matik pickups, twin selector switches (offering 7 combinations), 1 volume, 2 tone controls (one with new rez-o-tone 5 way pot active when selectors are in bridge position).

Currently being auctioned on eBay UK with bidding currently over £300 as I type this (auction ends Sunday).

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Custom-built plexiglass-bodied Precision Bass with Fender and Squier parts

guitarz.blogspot.com:

Here's one for the bass player who prefers a traditionally-styled bass but at the same time wants something a little more individual. Here's what the seller has to say about it:
One of several Fender precision bass replicas made for me from parts (some original Fender/Squier) by Bailey Bros. of Bristol. Used extensively as a back-up touring instrument with Who's Next - a tribute to The Who.

Here is an ultra rare plexiglass Precision Bass. The body is made of lucite acrylic. See-through plexiglass. The neck is a 1997 Fender USA Precision Bass Classic series bass which features a slim Jazz Bass profile maple neck with a rosewood board. The original Fender tuning pegs are present. The pickup is a white capped EMG AXL passive Precision Bass Unit. The bass is finished with an amber-sparkle coloured pickguard.
Apparently John Entwistle himself had one like this in his enormous collection, and it is also similar to the bass used by Charlie Jones who has played for Robert Plant, Goldfrapp and Siouxsie Sioux.

Currently being auctioned on eBay UK with a starting bid of £250. A word of warning: it's going to be very heavy which is most likely the reason that this was the seller's back-up bass and not his main instrument.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Tuesday, July 26, 2011

Burny HR-195 HIDE - signature guitar of HIDE from X Japan

guitarz.blogspot.com:
It seems unusual to see the Burny name on an original design guitar such as this. It's a brandname commonly associated with high-end Gibson copies produced by Fernandes. It seems that this Burny HR-195 HIDE is a signature model of the late Hideto Matsumoto, better known as HIDE (or even hide for his solo projects), guitarist of Japanese heavy metal band X Japan.

Anyway, what we have here is a guitar with mahogany body and neck (glued in), ebony fretboard, chrome hardware, two Schaller machineheads and Cyber Future Sonic Scanner pickups with the Hide logo, and Schaller machineheads.

It's currently for sale on eBay UK with a Buy It Now price of £695. The seller has done his homework and this would seem to be the going rate for these guitars.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Thinking Global

I've touched on this before, but due to recent news I feel it needs to be addressed as its own blog post.

The recent news is that Amazon is launching Kindle in India early next year.

This comes on the heels of Amazon's Kindle launch in Germany a few months ago.

This is a Big Deal. And yet, the only writer I know of who has capitalized on it is Scott Nicholson, whose German translation of his thriller The Skull Ring (Der Schädelring) is now the #246 bestseller on the German Amazon website.

My own legacy published books have appeared in ten or eleven countries (possibly more--it's easy to lose track.) Foreign advances are usually small, ranging from a few hundred to a few thousand dollars, and most midlist writers just regard these as bonus income, if they're lucky enough to sell these right in the first place.

Kindle is going to change all of that. The Internet, and digital downloads, has allowed self-publishers to become part of a global economy. And the globe is much bigger than just the US, Canada, UK, and Oz.

In the past, foreign sales were small and largely out of an author's reach.

Times have changed. The potential to make money world-wide is an unprecedented opportunity for vast riches that makes current ebook sales pale by comparison. There are billions of people in 196 countries. More and more have acquired computers, cell phones, and mp3 players. Ereaders will come next.

Here's what we need to do:

Find translators. They're expensive, but it's a sunk cost, and ebooks will sell forever.

Or...

Let your estributor handle the translations. I have enough work on my plate just deal with English-speaking countries. If my agent, who is assuming some estributor responsibilities for me, can handle the translations and uploading to foreign territories, I'd offer more than 15% for that service.

This is low hanging fruit, waiting to be plucked, and no one is taking advantage of it. Foreign markets are going to be starved for good novels. Those who get in early, like Scott Nicholson, are going to make a fortune.

This is an even bigger deal than when Amazon launched the Kindle back in 2007. That gave writers an opportunity to bypass the clunky old gatekeeping system run by legacy publishers, and reach readers directly. Guess what? The gatekeeping sytem for foreign sales is even clunkier and more inefficient. You have to deal with multiple agents and publishers, I've never earned out a single foreign advance except for UK (no doubt due to the inability to track sales in foreign markets), and there are many countries I'm simply not available in because we never sold the rights.

Now distribution is going global, and the writer can be in charge. I joke that I spend a lot of time "managing my empire." When Kindle is available worldwide, it will indeed be an empire. I won't have 40 titles for sale. I'll have 4000.

Think about that. Forty ebooks available for sale in one hundred countries.

It will require work, and an initial investment, but I can't imagine a brighter future for the self-pubbed author.

Monday, July 25, 2011

eL Welker e-L model: leather and phenolic resin


Larry Welker, the maker of this guitar, claims that the leather wrapped around his archtop semi-hollow guitars enhance their sound by balancing their harmonics. This, a certain taste for post art deco design and innovative concepts such as the phenolic resin rods stoptail or the finger rest that is also a 'drums emulator' make this eL Welker e-L a quite interesting instrument. 

I like to see people who keep experimenting and developing guitars, it's refreshing after seeing 10 000 made-in-China strat copies while looking for the next gem to show on Guitarz....

Bertram


© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

1960s Eko Modern semi-acoustic guitar: pure Italian cheese!

guitarz.blogspot.com:
What I love about some of these old brands from the 1960s and earlier, is their prodigious output; there are so many different models left to be discovered. This Eko Modern semi-acoustic guitar, recently offered for sale on eBay, is a joy to behold with its pushbutton pickup selectors, pearlised plastic pickguard, and bold "Modern" legend. I couldn't say what it's like as a player, but cosmetically it's fantastic.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Sunday, July 24, 2011

Gibson M III - when Gibson was going superstrat


I don't know if I like or not this Gibson M-III, a quite unique guitar in my opinion. This guitar released in the early 1990s was Gibson's late move to get its share of the then flourishing market of the superstrats - too late, Grunge played on vintage budget guitars was about to refresh rock music and close the era of hair metal (that was about to turn into thin hair metal - this joke is not mine but it makes me laugh a lot, if I was 15 and hiding my pimpled face behind long dyed greasy hair, I could even write LOL) - and initiated the current vintage cult. 

The M-III was then short-lived - Gibson like the other companies won't wait for decades anymore for a new model to catch - but its design is quite cool, modern and elegantly aggressive - it even has a Rickenbacker vibe, that can never be bad. It has 3 pickups, HSH, and the humbuckers are splitable, so with its 5 positions blade switch it makes 9 pickup combinations, the 10th one being a killswitch. 

The zebra humbuckers have a function, they make clear that this guitar can be a strat style 3 singlecoils instrument, as much as a more Gibsonesque HB one. The 'tigershell' pickguard is also nice, but is probably the source of very ugly pickguards proposed on Gibson failure models of the last 10 years... When the M-III was cancelled, its electronics went to the Les Paul Lite M-III with its super light balsa body, and its design was used to create the Epiphone EM series. 

Bertram

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Gretsch 7685 with dice fingerboard inlays, dice headstock inlay, and dice control knobs!

guitarz.blogspot.com:
Do you think there's a theme going on here?

Although this 1970s Gretsch 7685 could not be called original with its replacement pickups (Seymour Duncans) and non-original gold Bigsby, the dice inlays on fingerboard and headstock are original to the guitar, this supposedly being a rare model.

I can't say that I like dice-shaped volume and control knobs and the dice inlays, but they are infinitely preferable to that other cliché we see all too often on guitars: skulls.

Anyway, this particulary dusty example pictured here (I guess it hadn't been played in a while) recently sold on eBay UK for £621.99.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Saturday, July 23, 2011

Babicz Spider electro acoustic guitar with "lateral compression soundboard" & adjustable neck

guitarz.blogspot.com:

Babicz guitars bring the acoustic right up-to-date with their patented innovations. The first is the "lateral compression soundboard"; as you can see from the photo, the strings are not anchored at the bridge but instead pass beneath a bar behind the bridge and radiate out in an arc to individual posts. This has the effect of energizing the soundboard and dispenses with the stress which would on a normal acoustic guitar be centred at the bridge. This, Babicz say, provides "a sonic enhancement — one might even say a revelation."

Furthermore the reduced stress on the top of the guitar means that it does not require the heavy X-bracing of other acoustics and instead has a delicate bracing pattern that further allows the top of resonate more freely.

Babicz's other secret weapon is a revolutionary adjustable neck joint that can be quickly adjusted for height without affecting intonation. some other guitars have a a moveable heel design that simply tilts the neck but this affects the intonation; the Babicz system, however, moves vertically on a rail and intonation remains true allowing the player to quickly switch from a set-up allowing fingerpicking to one for slide playing.

The Babicz Spider pictured here is currently being auctioned on eBay UK with a starting price of £400. That does seem very reasonable for such an innovative instrument, if it sounds as good and performs as well as they say it does.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Friday, July 22, 2011

One-off mandolin-shaped guitar for southpaws

guitarz.blogspot.com:
Our left-handed friends all too often get the short-straw when it comes to choice guitar-wise, so I'm always keen to show lefty guitars that might appeal. The above-pictured left-handed mandolin-shaped guitar is a one-off built by its eBay seller, Jez Walker, who tells describes the guitar as follows:
A one off mandolin shape lefty guitar in antique sunburst. Proper left handed CTS volume and tone controls with sprague orange drop capacitor. Bubinga fingerboard, Ash neck with adjustable trussrod. Two-piece Pine body. Lovely tortoise pickguard, high power Entwistle humbuckers. Grover machine heads, Marvel straplocks. Lovely sound/playability.
Currently being auctioned on eBay UK with a starting price of £500.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Are You Writing?

I've got some bad news for you.

Right now, you're reading one of the most relevant, controversial, popular, and opinionated blogs about the world of publishing, and it is an epic fail on your part.

You want my sales. That's a statement, not a question. Or if you're dreaming even bigger, you want John Locke's or Amanda Hocking's sales. You want to make enough money to retire within the next 12 months. And you've dropped by my blog to learn how.

Maybe you've been following me for years. Maybe you just discovered me via a Twitter mention. Maybe you heard about me from a friend who said you should come here. If that's the case, your friend wasn't doing you any favors.

Because this blog is a time suck. There are hundreds of entries to read, and tens of thousands of comments. It's easy to get pulled in and waste hours, days, weeks.

Here's the bottom line: every minute you spend here is a minute you aren't spending on your writing.

You want my sales? I've got 40 different ebook titles currently selling. I'll have five more by the end of the year.

Amanda Hocking? Eleven so far. That Locke guy? Eleven. My writing partner Blake Crouch has more than 20 titles. That's why he's making over $30k a month, and you're not.

You'll notice Amanda doesn't comment here anymore, when she used to with regularity. Blake will pop in every once and a while and leave a comment, but he doesn't stick around.

That's because they're doing what you should be doing.

They're writing.

I'm lucky enough to be a full time writer, and I'm fast enough that I can waste my time here and still churn out more publishable words than most. And while it tickles me to get hundreds of comments to my posts, and though my message is no doubt being heard by many writers who are benefiting from it, the best thing you can do for your career isn't reading A Newbie's Guide to Publishing.

The best thing you can do is write. The more, the better.

How many words have you written today?

Star Wars Return of the Jedi "B" Wing Fighter guitar

guitarz.blogspot.com:
The Star Wars movies certainly seem to have fired the public imagination in many ways and we see their influence everywhere, including in the world of guitars where for example Fernandes have produced several limited edition guitars with Star Wars graphics.

Here we have a "B" Wing Fighter guitar constructed from a model of the fighter spacecraft from Return of the Jedi, neck from a damaged Aria acoustic guitar, and Stratocaster electrics. It was created by Tom Bingham, who reinforced the "body" with plywood and filled it out to a solid bar by using Gorilla Glue. Tom tells me that he bought the "B" Wing Fighter model at a car boot sale for £8 and constructed the whole guitar in his bedsitter without the use of any electric tools and estimates that the build cost about £100.

He has previously made a Millenium Falcon Telecaster and other guitars such as a chessboard guitar, winebox guitar, cigarbox twin-neck, some of which we may look at in the future.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Thursday, July 21, 2011

Höfner hollow-body jazz guitar with 512 blade pickups


There've been so many of them over the last decades that right now I cannot identify this superb Höfner hollow-body guitar in spite of its quite unique and very German vintage pickguard. 

Its characteristic blade single coils pickups - called the 512 - have been used on Höfner guitars from the late 1960s until the 1990s, and the round Venitian (did you know that the Venitian/Florentine terminology has no historical base and is a pure invention of Gibson?) cutaway is also quite typical of Höfner's jazz guitars. I'll take some time soon to explore the vintagehofner.co.uk website and I should be able to provide extra info.

Bertram

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Wednesday, July 20, 2011

Fender Jazzmaster CIJ mini guitar with on-board amp - hardly ever seen outside of Japan

guitarz.blogspot.com:
Here's another Fender guitar that is virtually unknown outside of Japan. It's a Crafted In Japan (CIJ) Fender Jazzmaster JM-CH mini with diminutive body, short scale, single pickup, and built-in amp and speaker. The amp has a three position switch for OFF, clean and distortion. The quality looks to be superb, as you would expect from Fender Japan; I hear that not for export models made solely for the Japanese market are among the best. This guitar would have been made 1995-1996.

This guitar is currently being offered for sale on eBay with a Buy It Now price of $468.

See also this Fender ST-Champ, which would appear to be the Stratocaster sibling to this mini Jazzmaster, and which we looked at back in February of this year.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Another guitar from Mathias Lerche, this time it's a beauty in Wenge

guitarz.blogspot.com:
Hi Gavin

Thanks a lot for you post on my alu and walnut guitars back in December. I really enjoyed the feedback from you and the few comments that followed.

I've just finished the third edition in wenge (one of 4) and I hope it's worthy of a second post.

The whole shape has been scaled up slightly and a lot of attention has been given to the back to make it more coherent and smooth. The head has been added some facets and the tuning gears changed. The neck is fastened with machine bolts keeping the strap holder on the top right one. On the front the bridge and pick up have been countersunk to be flush with the surface of the guitar. The sustainer was difficult to add but I managed to fit in two batteries in the electronics compartment that also holds volume, sustainer mode and coil tap pots.

Still enjoy your blog daily!
All the best
Mathias Lerche

[More photos in the comments - G L Wilson]

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Tuesday, July 19, 2011

Very eccentric "Get The People" guitar is appropriately populated by tiny people

guitarz.blogspot.com:
This guitar is really quite eccentric. Built and played by guitarist Ben Simon who played it on the European tour of his band, Get The People, it has a partially chambered ash body with ambrosia maple top. The word "PEOPLE" serves as a soundhole in the chambered area, whilst hollowed out recesses in the guitar's top have been populated by tiny figures of people (apparently bought from a "model railroader's store"; I guess these are the sort of figures you'd see on a model railway layout, although I'm surprised that a Sumo wrestler is included!) which have been sealed into the top with epoxy.

The body shape with single cutaway and slightly exaggerated lower horn plus headstock with seemingly randomly-placed machine heads puts me in mind of the Musicvox Space Cadet. It's a fun guitar, but I would have thought that it means the most to its creator, and fear that the eBay starting price of $1,750 and Buy It Now price of $2,250 may simply be too high for such a curious piece.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Vintage Fender Telecaster with a "Love It or Hate It" design by T.Z. Wiyninger

guitarz.blogspot.com:
Errrmmmm... It's not exactly to my taste, that's for sure.

"You Will Never Ever Find Another One Like It!" proclaims the eBay listing. That could be a good thing.

Buy It Now for $9,500! Don't all rush now.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Electra MPC Outlaw X-610 bass with "Modular Powered Circuits" on-board effects

guitarz.blogspot.com:
We looked at a late 1970s Electra MPC Outlaw X-720 guitar last year. Now here's a bass version, the Electra MPC Outlaw X-610 bass currently being offered for sale on eBay with a Buy It Now price of $999. The body shapes are different, but the concept is the same with "Modular Powered Circuits" effects that can be snapped into place in the rear of the body. This bass has a Phase Shifter and Power Overdrive fitted in the photos; the seller doesn't mention if it comes with any other modules.

Via Greg Cadman on our Facebook page.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Monday, July 18, 2011

Be Deliberate

Don't write crap.

I've said this many times, but I believe it needs to be clarified.

Here's my succinct explanation:

Write deliberately.

Taste is subjective. But very few people are able to separate their feelings about something from the value it might actually have (as evidenced by the thought that went into it), simply because they can't perceive its value, or don't bother trying to perceive it.

Which is lazy. Or ignorant. Or outright stupid. Or some combination of all three

We can offhandedly say "That TV show sucks" simply because we don't like that type of show, or don't care for one of the actors on that show, or it didn't provoke emotion. But chances are high that the show doesn't actually suck, because there was a lot of work that went into it, by a lot of people who did their best. It takes a lot of dedicated folks a lot of hours to create a television show. That doesn't mean the show is automatically excellent, but knee-jerk or cavalier dismissal of something that took so much time shows little understanding of the creation process, and devalues it.

All opinions are valid, because you can't argue with subjectivity. But just because something doesn't work for you doesn't mean it doesn't work.

So I've begun taking a closer look at media that I both like and dislike, and have been searching for the thing that indicates quality, even if it isn't something I enjoy.

I believe that thing is deliberation.

Since I write fiction, let's focus on novels. According to my criteria, a novel is a success if:

1. The writer intentionally sets out to do something within the story.

and

2. As a result of deliberation and execution, the story meets the writer's expectations.

No story will ever meet all readers' expectations. Some readers don't even know what to look for. Some will confuse their personal taste with quality. Some form instant opinions based on misapprehension, bias, or false expectation.

But if a writer is completely aware of why they wrote what they wrote, and can explain the reason for every chapter, scene, and sentence, I'd call that deliberate, and by definition, it can't be crap.

It's similar to a pool shark running a table, calling his shots. If you call it, and make it, you're doing something right.

Of course, that means having an understanding of writing craft, but for the sake of this argument let's assume a base level of professionalism. To know craft is to intentionally use craft.

I've tried a few times to read The Road by Cormac McCarthy. I don't enjoy his prose, and believe he takes too long to get into conflict. But I'm betting this is deliberate on his part. He's not a newbie without a clue what he's doing. In fact, he knows exactly what he's doing. It just doesn't appeal to me. This doesn't make it crap, much as I don't like it.

An easy example of this is the story I wrote with Blake Crouch, Serial. As of this writing, that free story has gotten 139 one star reviews.

As I like to say, it's difficult to judge quality if you're an idiot.

In the case of Serial, I can safely qualify most of those one star reviewers as idiots, because they criticize the story for doing the exact things Blake and I want it to do. No one should be surprised that a story about two serial killers is violent and disturbing. But because it is free, and the description likely wasn't read before the one-click download, many readers were surprised by the content, and they responded with one-star reviews.

That's their problem, not the story's problem.

Conversely, we got hammered for being overly gory and gratuitous. This amuses me to no end, because Serial is purposely understated when it comes to the on-page mayhem. The prose is spare, not purple. We don't go into descriptive detail. We pull way, way back and let the reader fill in the blanks.

We did this deliberately. The fact that people imagine gore that isn't there is proof the writing works. If you don't like it, it doesn't mean the story sucks.

One of the deep-rooted problems in our society is how people form quick opinions without analyzing why they reached their conclusions. Then they'll defend those opinions without thinking. It's a basic flaw of human nature that most people would rather fight to the death for their beliefs before questioning them. The ability to change one's mind is a rare thing.

I understand that casual dismissal is necessary, to a degree. We're bombarded with choice, and we need to be able to quickly make decisions.

But casual dismissal coupled with the anonymity (and the cushion) of the Internet has turned a bunch of lazy morons into bitter critics who spout off their idiotic opinions without any sense to back them up.

Note I am spouting off my opinion here, but I'm backing it up with a clear trail of logic. I'm also keeping this argument general, rather than personal. Much as it might amuse me to attack specific people or reviews, you won't see me do much of that.

I don't like critics in general (I don't like awards either, but that's another rant.) But a good critic can remain somewhat objective.

The world wide web has spawned an unpleasant epidemic of idiots who are quick to criticize, insult, dismiss, and reject without any accountability. These folks really believe their nearsighted and downright idiotic opinions are not only correct, but need to be voiced in public.

Are you one of these idiots? I hope not. And if you are, I hope you have the capacity to change.

Here are some signs you might be an idiot.

If you've ever called someone a name without any provocation, you're probably an idiot.

If you think the world really cares about how much you hate something, you're probably an idiot.

If you've ever given a one-star review to anything, you're probably an idiot.

If you've ever posted anonymously, you're probably an idiot.

If you've ever casually dismissed something that others find value in, you're definitely an idiot.

If you talk before you think, you're definitely an idiot.

If you have a closed mind, you're definitely an idiot.

If this blog post makes you angry, you're definitely an idiot.

Now you might say, "Joe, but I've done one or more of these things. Does that mean I'm an idiot?"

Possibly not. True idiots usually aren't aware that they're idiots. But if you're doing a lot of the above, you aren't doing yourself any favors.

Remember how I said that writers should be deliberate?

That goes for everyone. We should all be self-aware. We should be deliberate in everything we do, including when we're being critical. Especially when we're being critical.

So, to recap:

If you're a writer, make sure you understand why you're writing what you write, and have a clear idea of what you want those words to do. Then you'll never write crap.

If you're a human being, make sure you truly understand why you say and do the things you say and do. An unexamined life ain't worth living. And an unexamined life that tweets or posts reviews on Amazon is a big waste of carbon. And oxygen.

There was no particular inciting event that made me go off on this rant. But I've seen too much stupidity on the Internets over the years, and the number of clueless morons seems to be rising.

Don't be a clueless moron, in your writing, or in your life.

Be deliberate. Everything you write, whether it be fiction or commentary, should be carefully thought through and intentional. If you ever dismiss something deliberate without being deliberate yourself, you're going to come off looking like an idiot.

And to my many critics: Disagreeing with me doesn't make you wrong. It's your inability to adequately articulate why you disagree with me that makes you wrong.

Being wrong is fine, if you learn from it.

Post festival blues

guitarz.blogspot.com:
Photo: © G L Wilson, 2011
Please forgive the lateness of today's blog post. I've been at Guilfest all weekend, and haven't long returned home after a long journey. (The weekend's blog posts in my name were scheduled beforehand on Friday). On Saturday, the act that struck me the most was Alice Gold (pictured above). She normally performs with a band, but her bassist was involved in a motoring accident (and is thankfully OK), so she decided to play a solo set - just voice and guitar - and she was brilliant. Thanks to David, my brother in law, for the recommendation!

Another highspot of the day was watching Steve Harley and Cockney Rebel who actually finished their set with their biggest hit, "Make Me Smile (Come Up and See Me)", a song which I heard he rarely plays live - or else does a reggae version. The acoustic guitar solo played by Robbie Gladwell brought a tear to the eye. Fantastic!

Photo: © G L Wilson, 2011
Sunday's highlight, for me, was Public Image Ltd. John Lydon was on good form and supplied the quote of the weekend with, "It's nice to see so many children. Your children are safe with Johnny..." Guitar duties were taken by Lu Edmonds, who played electric saz on several songs and on "The Flowers of Romance" also employed what looked like a 12-string banjo played with a bow.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Sunday, July 17, 2011

Symphony with strange rail pickups - can't tell more


Can't tell anything about this guitar, where it's from, when it was made, I can only acknowledge its flashy sparkle perloid finish and above all its very special pickups - something I've never seen before and that should make it identifiable at first sight -, thick dual rails coming right out of the body. It's branded Symphony and the bridge has a slight German feel to me but I wouldn't dare telling more...

Anybody has a cue?


bertram

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

One More Nail in the Coffin

Well, I took my first vacation in years, and now I'm back.

Actually, it wasn't all vacation time. Blake Crouch and I spent a week in a cabin writing STIRRED. But the week after I actually spent time with my family, and was pleased to find out some of them even remembered who I was.

During my absence, two interesting things happened.

1. My Amazon-published ebook SHAKEN hit the Top 100 again on the Kindle bestseller list. I can only attribute this to some promo Amazon did, since I was off the grid and not doing anything.

2. It looks like Borders is going to liquidate.

This quickly tells me two things that I suspected all along. First, that signing a publishing deal with Amazon is a good thing. Who ever heard of a publisher doing a marketing push nine months after the book came out?

As I'm fond of saying, ebooks are forever, and Amazon is happy to support a backlist that lasts for infinity.

Second, if Borders goes bye-bye, the death spiral I predicted is right on course.

Here's something I said in that blog post:

If the majority of bookstores close, the print midlist will probably disappear. Bestsellers will still be sold in big boxes and non-bookstore outlets, but if a book isn't a blockbuster, it likely won't be released in print.

Now, we can debate the health of indie bookstores, and the two remaining chains, B&N and Books-A-Million, but pretty much every account I've read says that print sales are down and ebook sales are up. I'm confident the end result is the Big 6 publishing fewer books in print, which means fewer print sales, which is bad for the publisher/bookseller bottom line.

Will ebook sales be able to save bookstores and publishers?

Not if authors continue to wise up and tell the Big 6 to take their 17.5% ebook royalties and choke on them.

Even if you are an optimist, it's tough to argue against three obvious points.

1. Print sales are falling.

2. Ebook sales are rising.

3. 70% royalty is more than 17.5% royalty.

The obvious and eventual conclusion to draw is that authors are going to continue to abandon the Big 6, except for a few bestselling names who will continue to move print through non-bookstore outlets.

The infrastructure as it exists cannot survive without the midlist, and the midlist is going the way of the dodo.

This will mean fewer books printed, fewer books sold, and fewer choices for readers until they're forced to buy an ereading device if they want to read anything other than Stephen King and James Patterson.

While on vacation, I took two Kindles. But my 13 year old son also wanted to read, and was using his iPhone Kindle app. After being stuck tethered to an outlet (the iPhone doesn't have the longest battery life) I went to Staples about bought one of those new ad-supported Kindles for him, for the measly price of $114. I got this version not because I'm cheap, but because I wanted to see how the "special offers" and "sponsored screen saver" works.

(Joe to Amazon: Let me get into this program and buy ads for my ebooks. I will pay you a lot of money to do so.)

My point? Kindles have dropped in price to the point where they've become disposable, like cell phones and laptops and digital cameras. Ever notice that you buy a new cell (or computer, or camera) every few years, even if your old one still works?

It's because new technology costs so little, and we've become conditioned to upgrading and replacing. Why repair a phone, or TV, or monitor, or printer, or any other piece of tech, when it is cheap and simple to buy a new one? Why stick with an outdated piece of tech when you can get the latest, improved model for less money than you paid for the previous version?

Why buy four hardcovers when you can get an ereader for the same price?

I have no doubt that by the end of the year, there will be many ereaders under the magic $99 price point. They're already showing up in department stores and drug stores, along with bookstores, office supply stores, and electronics stores. Google is releasing a new ereading device. This is the future, and it will become widely adopted, and everyone knows it. Soon, readers won't even have a choice.

Everyone, except the booksellers who refuse to sell ebooks (or Amazon-published books), the Big 6 who continue to fleece authors and customers with low royalties and high ebook prices, and an ever-shrinking group of authors with Stockholm Syndrome who remain tied to the old ways.

I know I keep beating this drum, but unfortunately I'm forced to because even though this is old news for my regular blog readers, it continues to be new news for hundreds of authors on a daily basis. While on vacation I was bombarded with thank-you emails from authors who are either giving self-publishing a try, or have self-pubbed and sold a lot of ebooks. I even got a call from a notable author, asking specific questions about how to get started.

This message needs to be repeated, over and over and over, because there are still thousands of authors who spend their hard-earned $$$ on conventions that supposedly teach them how to write killer query letters.

Ack. That's so 2009. So is crossing your fingers, hoping your publisher is smart enough to buy the next book in your series when all the other books have made money. Hint: your publisher isn't smart enough.

So here is my advice:

To booksellers: Read my blog entry about surviving in this new publishing climate. You need to start working with authors and selling self-pub.

To publishers: Lower your ebook prices and raise your ebook royalties, or you're over.

To writers: Don't take any publishing deal for less than life-changing money, and make sure you get that money upfront. Otherwise, self-publish. Or sign with Amazon.

Yes, I know this horse is dead. But I have to keep beating it until everyone hears the message.

And to those folks who think that other bookstores will fill the void left by Borders, and the status quo will remain intact, I admire your optimism.

I also have some junk bonds I'd be happy to sell you.

Saturday, July 16, 2011

Teisco Mello-Tone J-2 - one of their more basic designs

guitarz.blogspot.com:
This is another blog post from "off the cutting room floor", so to speak. That is to say, it never made it past the draft stage and because the auction from which the images were culled finished a long time ago, we have nothing to link to. However...

We've been looking at a number of Teisco guitars recently. This one is probably about as basic as it gets: simple slab-bodied single-cutaway design, bolt-on neck, single pickup, no complicated vibrato or other hardware. I believe this dates from the late 1950s. It certainly has that old Danelectro-esque charm to it. My guess is that the bridge has been updated so as to allow intonation to be set for each string - I think the original bridge would most likely have been much simpler.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Rickenbacker Combo 600 - an all too often forgotten Rickenbacker from the 1950s

Rickenbacker combo 600

This guitar should be legendary, but it is unfairly often forgotten in the shadow of more famous pioneer instruments. This is the Rickenbacker Combo 600, the first Rickenbacker model since Francis C. Hall took over the company in the 1950s and made the move away from lap steel instruments and towards "Spanish" style guitars.

Read more about the history of Rickenbacker and the Modern Era of Electric Guitar.


© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Friday, July 15, 2011

John McGee's Dragon - a one-off guitar built by one of our readers

guitarz.blogspot.com:
Here's one for ya! I call it "The Dragon."

The idea was to make a guitar into a stylized dragon. The body of the guitar is the wings spread with talons on the ends of the wings, hence the points. The headstock becomes the head of the beast and reflects the body horns (talons).

This is almost a semi-acoustic. The entire body is chambered except for the area under the pickups and bridge. The sides are about 3/8" thick - WAY thicker than a true semi-acoustic. By design, it has to be classified as a chambered solid body, but it's about as close as you can get without actually being there. I put a 1/8" cap on the back and front, which is more akin to a semi's thickness.

Continuing the dragon theme are the f-holes and 12th fret inlay. I was looking for something special to really set this one off and pronounce the theme visually while still at least trying to appear reserved and classy like a traditional semi-acoustic. I don't think it went too overboard, but I suppose that's all a matter of taste.

The body is poplar, the top, headstock faceplate, and inlays are bloodwood. The pickups are Airline reproductions of the P-35 "Kleenex box" pickups.

John McGee

[Note: John actually sent us this email and photos last October, and for some reason the blog post never made it further than the draft stage. Sorry about the delay, John! - G L Wilson]

Guitarz - The Original Guitar Blog - now in its 9th year!

1990s Melobar doubleneck with Telecaster neck and angled Melobar neck for slide playing

guitarz.blogspot.com:
We've looked at Melobar guitars here before several times. For those new to the concept they allow the steel guitar player to stand up and move around the stage by having a 45-degree angled neck mounted onto a slab body.

However, here we see a doubleneck with regular 6-string Tele-style neck at the top and a 6-string Melobar steel at the bottom. Note the way in which the necks are angled to allow the player unhindered access to the slide neck.

This particular pearloid-covered example has been listed on eBay UK (although the item for sale is actually located in The Netherlands) and has a But It Now price of £2,500.

Why do I feel that someone is about to mention Junior Brown and his Guit-Steel in the comments?

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Thursday, July 14, 2011

Mosrite, Mosrite, Mosrite, who can resist to a Mosrite?




We've been showing our share of cool Mosrite axes on Guitarz (a.o. herehere and here) but not their most classic and famous model, and I cannot do better than to do it with this über-lovely Mosrite Venture Royal Mark I (I'm not sure of the official order of all these names) mid-90s reissue of a 1964 model...

You all know about the characteristic longer lower horn, the slanted P90 style neck pickup, the round pickguard, it's been copied so many times, so I will just focus on the impressive Mosrite trem (yes I'm still in my vintage trem fetish phase), it's not only quite unique, it also survived where so many models gave up and let us with FenderFloyd Rose and Bigsby and that's all...

I think that I will go out now and rob some helpless old lady so I can finally get me a Mosrite.


© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

guitarz.blogspot.com

Bartolini / Morbidoni / Diamond Ranger 3 - more glitter and pushbuttons from 1960s Italy

guitarz.blogspot.com:
This guitar serves as a convenient reminder that you can't believe what an eBay seller tells you, even if they are someone who supposedly knows a thing or two about guitars, a guitar dealer or a guitar shop for example.

This glittery orange beast festooned with pushbutton pickup selectors is currently listed on eBay with the title:
(sic)
There seems to be a tendency to proclaim any vintage guitar coming out of Italy as being an "Eko", much as vintage Japanese guitars will get labelled "Teisco" or "Matsumoku" without any foundation whatsoever.

So, having said that it should come as no surprise that this guitar is NOT an Eko and neither is it a model named "Panther" despite the Panther picture on the nameplate on the headstock. The major giveaway as to its true name is the actual NAME on the nameplate. (D'Oh!)

It's a Diamond Ranger 3 (the number denoting number of pickups), and from what I can ascertain is actually a guitar Alberto Morbidoni Castelfidardo produced by Bartolini. The Diamond brandname was applied for export to the United States and in particular Washington. Other brandnames such as Dega and Samferri were used for guitars supplied to distributors in other states.

Follow that? It is all rather convoluted and I think I got it correct. Italian speakers can check for themselves here. Anyway, it's currently being offered for sale on eBay with a Buy It Now price of $1,195.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!

Wednesday, July 13, 2011

1962 Epiphone Riviera with tremolo, reverb and tone expressor

guitarz.blogspot.com

It's strange, I have the feeling that I already saw this kind of guitar on the web but for now I cannot find any information about this 1962 Epiphone Riviera with its large Jolana-style pickguard and its strangely placed effects - tremolo, reverb and tone expressor as you can see on the close-up below... Is it a one-off mod, a forgotten limited edition or is it so stuffy in Berlin today that I'm not able to use Google anymore?  Anybody who can tell me more is welcome!


Edit: it' actually the 'Professional' model - a short lived series, some having also a trem bar like on this demo video, on which you can see that the knobs and switches are not so awkwardly placed has it would appear at first sight to a tight-ass 21st century guitar lover! Thanks to our sharp readers...

Bertram

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!
Jolana

One-off handmade hollowbody bass by K. Pagratis

guitarz.blogspot.com:
This one-off bass from the 1970s, made by luthier K. Pagratis (who sounds Greek to me), has a very dated look to it, whilst at the same time having a classical beauty with its lyre-shaped body. Electrics are kept to a bare minimum with a single pickup which couldn't get closer to the bridge if it tried, and with no controls for volume and tone it is wired directly to the output jack, which - bizarrely - appears to be mounted on the upper side of the body. (Even if this bass was originally intended for a left-handed player, it's still a really weird location). The bass is supposedly a hollowbody despite an absense of sound holes, which results in a weight of almost 3 kilos (7lbs).

Hey, but it doesn't sound at all bad, as this video - made after the bass was "refabrished" - demonstrates:

Yeah, it's totally unique, it sounds nice, but I don't fancy the £6,500 Buy It Now price tag it has currently on eBay UK.

G L Wilson

© 2011, Guitarz - The Original Guitar Blog - now in its 10th year!