Thursday, December 31, 2009

Wandre Meazzi Hollywood - vintage Italian guitar with built-in amp

guitarz.blogspot.com:
Most of us have seen the Wandre Davioli Bikini guitar which has an amp and speaker pod attached to the body of the guitar. The Wandre Meazzi Hollywood (as pictured above), however, is a more conservative looking affair (for a Wandre, that is) and much more practical for playing purposes too than its ungainly sibling.

Unusually for a Wandre it appears to have a wooden neck instead of aluminium with bolted-on headstock. The pickup and pickguard are classic 1960s Italiana, crafted from thick plastic. Actually, if I'm not very much mistaken, the whole of the guitar's top looks to be moulded plastic. I also really like the exaggerated hourglass shape of this guitar.

I expect this was a budget model when compared to the Bikini, but it looks a lot more compact and practical. You wouldn't feel quite so silly with the Meazzi Hollywood strapped on.

G L Wilson

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Tuesday, December 29, 2009

Pelle's self-built oak guitar

guitarz.blogspot.com:

Guitarz reader, Pelle tells us about his self-built guitar:

My brother's friend lives out in the woods in Sweden, and after the Erwin storm in 2005, the 100 year old oak tree on his farm blew over. Anyway, he sawed the old tree down for firewood, but kept a few large planks. Since he knew of my interest in guitars and guitar building, he gave me a piece of it after it had dried about a year.

I've always loved the shape of Mosrite guitars, so I basically drew up the body shape. Since I'm a university student I haven't got a whole lot of money, so I basically looked in my box of old guitar pieces, and what I found was a Fender singlecoil, an Epiphone humbucker, and a Jackson J-style rail bass pickup.


Since I didn't put a single penny into this project I had nothing to lose with the bass pickup in a guitar, having no idea what it would sound like, especially with the oak body, since it's not the ideal wood to make guitars out of.

I knicked the BMW logo from an abandoned car, and the Heineken logo from the beer bottle I was drinking at the time mounting the tuners!

The sound? The singlecoil sounds quite bright and crisp, the HB is very warm and very loud. The bass pickup sounds (much to my surprise) incredible!, Nice warm tones, very jazzy-sounding!

I wish I could give you an audio example, but right now I'm not in possession of a worthy recording utility! sorry.

Oh, and the neck is like a baseball bat, when I have time I probably will reshape it.

Out of my collection of 25 guitars, this one ugly duckling is my main baby!

Pelle


Thanks for that! If any other readers have an interesting guitars they'd like to share with us (preferably unique instruments rather than off-the-shelf jobbies), then please email.

G L Wilson

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Monday, December 28, 2009

Esteban Bojorquez's The Vase

the vase






An other metal guitar - this one made of brass! - and another guitar about which I don't have much more to say than: 'waow!'

All I know about it is that it was made by californian artist Esteban Bojorquez and that he made many other ones - mostly lap-steels - as original as this one.

Really wonder how it sounds!

Guitar making is an endless creative quest for true believers!













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Sunday, December 27, 2009

What I Know

I've been blogging for almost five years, and am closing in on 500 blog posts all about the publishing industry.

As a result, this blog gets a lot of hits from people who don't know who I am. That's the point. As I've said many times, anyone can find you on the net if they're looking for you. The goal is to have people find you when they're looking for something else.

That said, I often get emailed questions that are already answered in my blog. On one hand, a newbie author discovering me is anxious to get answers, and often enthusiastically fires off questions to me without reading all 500 of my posts. On the other hand, anyone who wants to succeed in publishing needs to be in it for the long haul. This is a marathon, not a sprint. Reading all of my entries does a lot more than simply familiarizing you with my writing. It's an encapsulation of how this business works, and how one writer views it.

So it's worth it to the read old posts.

But it's almost 2010. We're in a technological tsunami. Instant gratification isn't fast enough for us.

So here's a blog post that distills the essence of what I've learned in this biz.


Luck Is Important

I say this all the time. In fact, I think it's the #1 factor in determining success in this business. But I've never specifically identified what luck is.

In essence: Getting someone within the industry with enough power and money to recognize they can make money from your work. That's luck. It involves having the right book, in the right place, at the right time. Too soon, too late, wrong person, not good enough--these all can minimize your luck. But hard work, paying attention, and being willing to roll with the punches and accept criticism can maximize your luck.

Still, at the end of the day, it always comes down to a roll of the dice. No one said it would be fair, easy, or fun. But if this is your dream, it is worthwhile to pursue it.

Why do I pursue it?

First, because I love to tell stories. I think it's a fundamental part of the human experience.

Second, because making a living doing something I love is the whole point of life.

Third, because I'm ensuring my little place in history. The most important thing I can do as a human being is be a good husband and father. And yet, who remembers husbands and fathers? How many can you name that you don't personally know?

But writers--everyone can name a dozen writers. That I'm able to reach people, and at the same time become immortal through my work; that speaks to to the essence of what I believe humanity is.

As a species, we love to create things. I'm doing my part and making my mark, in a way that makes me thrilled to be alive.


Understand The Industry


The publishing industry is broken. No doubt about it. Any business that allows returns,
where a 50% sell-through is considered successful, where no one can figure out why things succeed or fail, is fundamentally flawed.

But the more you know about how things work, the better you can manipulate the system.

Good decision-making comes down to facts. The better informed you are, the likelier your decisions will be correct.

Listen. Ask questions. Follow examples. Experiment. Take chances. Stay alert.


The Harder You Try, The More Books You'll Sell


You will not become a bestseller by doing all the things I tell you to do, no matter how logical or well-informed I appear.

You will not become a bestseller through your blog, your touring, your speaking efforts, your internet efforts, or you social networks.

The only way you will become a bestseller is to have your books available, at a discount, in as many places as possible. And that's beyond your control.

That said, every little thing you do to sell your books can help your career.

Books sell one at a time. If you're the one that sells them, one at a time, its one more that probably would not have sold without your efforts.


The Race Is With Yourself

You can't ever compare yourself to any other writer. EVER. This isn't like the business world, where certain positions have a salary range. You can make $100 a year, or $5,000,000 a year, with no discernible difference in your output or your quality.

If you want to compare yourself to someone, compare yourself to yourself. Monitor your successes. Learn from your failures (and if you aren't failing, you aren't trying hard enough.) Try different things, make mistakes, grow, adapt, evolve.

Your peers are a tool you can use to better yourself. But they are NEVER something to aspire to.

Your only aspirations should be within your control. Which brings us to:


Set Achievable Goals

Goals should be within your power. In other words, anything that involves a yes or no from another human being isn't a goal, it's a dream.

You can and should dream, and dream big. But "I want to be a bestseller" isn't a goal. "I want to attend three writing conferences this year, polish my novel, and send queries to ten agents by November" is a goal.

Learn the difference. And don't forget to reward yourself when you reach those goals.


Love It

The term "tortured artist" is an oxymoron. Art is not food, clothing, or shelter. Art is what we do to express and entertain ourselves. If you slave over your writing, I recommend finding something more enjoyable to do. Life is too short, and too many bad things happen, to waste time making yourself miserable.

No one ever gets farmer's block. No one ever bitches about being too uninspired to wait tables.

If writing is so hard, perhaps you should find something easier.

This may seem to run contrary to:


Make Sacrifices

Nothing worthwhile in life is easy. Victory is sweetest when it's hard-won.

You shouldn't EVER believe you deserve anything, or that you're entitled to success. But if you want to reach your writing goals, it often involves giving up other things in order to focus on writing.

You need to love writing. In fact, you need to love it so much you're willing to give up other things that other people (perhaps even you) deem important.

How do you know if your love is strong enough and worth the sacrifice?

When you write THE END, if it isn't the coolest feeling in the world, perhaps you should consider a different career.

But if writing THE END is so fulfilling that it was worth giving up TV, sleep, food, sex, and surfing the internet, then you're in the right profession.


Get Used To Insecurity

As a writer, you'll have the biggest ego in the world, and no ego at all, at the same time.

Money will sometimes be plentiful, and sometimes be scarce.

You'll have major accomplishments, and major setbacks. Your mood will swing on a daily basis.

Some dreams will come true. Some will be murdered.

There are no guarantees.

This business is unstable, and being an artist, you're probably a bit unstable to begin with. These things can feed on each other. Doubt, insecurity, and depression, are all part of the career.

There will be long periods of waiting. Lots of them.

There will be challenges (and by that, I mean you'll get screwed.)

But you need to roll with the punches. Set-backs are opportunities to grow. Rejections are learning experiences. This is a business, and can't be taken personally.

If you go into this understanding you're in for an emotional roller coaster, you can handle the turns and dips much better.


Know When To Quit

The measure of a human being is what makes them finally give up. The stronger the person, the more they can take.

In my previous blog post, I said that you are the hero in the movie of your life. Act like it.

What do you want? Who do you want to be?

That dictates what you need to do.

Quitting, like admitting you're wrong, is one of the noblest things you can do in life. It says that you understand, and accept. It allows you to grow.

But if you want to conquer, quitting isn't an option. No one ever accomplished anything great by quitting.

Know your limitations. But also know your potential for greatness.


Be Cool

Gracious. Grateful. Easy going. Helpful. Fun. Giving. Thankful. Courteous. Honest.

In other words, be a nice person.

While "nice" doesn't mean "successful", it does mean you'll sleep better at night.

I believe a successful life is one where people miss you when you die.

As a writer, you have the potential for a great many people to miss you.

But not if you're a dick.

There. Now you don't have to read 500 blog entries.

Happy New Year! See you in 2010!

I have a feeling it will be the best year ever...

Loïc Le Pape Steelwave & Steel Falcon



Le Pape Steelwave

Is it France's fate to provide guitars made of steel to baffled guitarists?

After the famous James Trussard , Loïc Le Pape now builds - or should I say forges? - shining monsters such as this Steelwave... When Trussard focuses on the same few standard models (like everybody else, actually), Le Pape proposes several classic guitars that really deserved to exist in steel version, a.o. the whole Gibson line with Explorer, Flying V, Firebird, SG, also different semi-hollow models like this Steel Falcon, or a beautifully engraved Rickenbacker 4001 (couldn't show everything here...)...

Not enough original models unfortunately, and too much of these outrageously relicked finishes, but most of these guitars are custom orders I guess, so Le Pape has to follow the trend, but I can imagine that his work will mature over time and the future promises even better guitars... Scary!

Steel guitars not only look cool, they're supposed to provide a terrific sound with ultimate rigidity and perfect sustain, resonance, and a very detailed sound... I hope that one day I can put my fingers on one of these!

Steel Falcon

Aaah, la France, ses camemberts, ses philosophes morts, ses guitares en acier...


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Thursday, December 24, 2009

Sanox!

sanox

A very short title indeed, since apart a few pics, I can find nothing about Sanox Sound Creator guitars on the Internet. When I google Sanox, the main information I can find is that our blogmaster here is the happy owner of a lucite Sanox and knows nothing about it - and that's more or less it...

Still, the two models here are quite noticeable - on basic Stratocaster and P-bass configurations, they show a proper combination of sobriety and creativity - I like them a lot I must say (though I'm more a humbucker guy).








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Wednesday, December 23, 2009

THE UNBELIEVABLE TRUTH!!!


I couldn't believe my ears!

On the post about the Vox Starstream, you could see this scary photo of the Banana Splits (I was told that it's taken from a 70s children program, no wonder why the Brits ended up 30 years later having Tony Blair take them to war).
It reminded me of my favorite rock/children program (that I didn't see when I was a child, but later, as a support for diverse psychotropic investigations), Japanese anime Ai Shite Knight, so I searched YouTube to check if it was as bad as in my memory, and I found this video...

And what do you hear in the first seconds of the title song? The infamous riff Joe Satriani and Coldplay have been fighting about a few months ago!
So today we have the answer, Coldplay didn't copy Satriani, they both plagiarized this masterpiece of rock music, the title song of Ai Shite Knight (Japanese version)!

Merry Christmas



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Now, THIS ONE is the real "Dear Drooper" guitar!

guitarz.blogspot.com:

Isn't it?

It's a Vox Starstream V269 (check the photos on the eBay page - he's got the wrong model name in the text of the listing) and was made in 1967 by Eko in Italy. The guitar features two Ferro Sonic pick-ups, tremelo, built in E-tuner, distortion booster, treble and bass boost, Wah-Wah, and repeat, plus a padded cushion on the back.

The example pictured above is in NOS (new old stock) condition, having been discovered in its original case unopened in a warehouse in California.

The Buy It Now price is a staggering $9,995.00 (approximately £6,272.16), but then this is a vintage guitar in pristine "as new" condition.

Mind that kind of price makes the Kawai copies look all the more affordable.

Now, does anyone know what model Vox guitar it is that Fleagle plays?

G L Wilson

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Tuesday, December 22, 2009

Orfeus Violin Bass

guitarz.blogspot.com:

Last month we looked at an Art Deco finished Orfeus Hebros Bass and now I'd like to present for your viewing pleasure the Bulgarian take on the much imitated violin bass in the shape of this other Orfeus Bass.

Personally I am not usually a particular fan of violin-shaped guitar and basses, but this one I do find more appealing (aesthetically at least, I can't comment on what it might actually sound like). I like the pronounced lower bout, it lends the design an almost sci-fi element. No attempt to replicate a scroll-style headstock has been made, possibly just a stock neck was used, so we have a 4-in-a-line headstock style which further dilutes the violin aspect.

G L Wilson

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Martin Dixon Marquetry Strat

guitarz.blogspot.com:

Apologies for the quality of this photo. I have enhanced it because the original picture from the eBay auction page looked as if it was taken through a fog of pea soup.

This Strat-type guitar is a one-off featuring a top created using marquetry, which, if you don't know, is the craft of covering a structural carcass with pieces of veneer forming decorative patterns, designs or pictures (Wikipedia). It's similar to a mosaic, but in wood.

It was crafted by UK luthier Martin Dixon and you will see other marquetry guitars at his website. His guitar prices start at £950 ($1,425) so if this guitar appeals you could get a very good deal in this eBay auction.

G L Wilson

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Monday, December 21, 2009

Play that guitar, mouse man!

guitarz.blogspot.com:

I've been looking for this almost surreal clip ever since I first saw it on The Jack Docherty Show back in 1997. It's David Bowie performing "Scary Monsters" in a stripped down 4-piece band situation.

Kudos to Reeves Gabrels for being able to play the guitar in that mouse mask! As I remember it, the mouse costume had been featured in an un-related item earlier in the programme.

Anyone know what Parker Fly model it is that Gabrels is playing? Looks custom to me.

Watch the video here (embedding has been disabled so I can't link in the usual way).

G L Wilson

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Winston teardrop guitar

guitarz.blogspot.com:

This may not be a Vox original, but it's still quite a beauty. Made in Japan in the 1960s, this vintage Kawai teardrop copy carries the Winston brandname. This particular example has the rarer blonde finish as opposed to the more usual sunburst.

Apologies guys (or should I say "dudes"? I think there's an unwritten rule that guitarists have to address one another as "dude". But I digress...), I was meaning to show you this guitar before the eBay auction finished.

The guitar eventually sold for $537.77 (approximately £334.40) which is probably a fair price for such an instrument. I wonder how much a genuine Vox badged instrument (many of which were made by Eko in Italy) would fetch? Probably at least double that price. But would it be a better quality instrument? I doubt it.

The auction says the guitar is labelled as "Winston Brian Jones Original", but surely Brian Jones played a solid-bodied Vox teardrop finished in white. The only player who immediately springs to mind as someone who played a hollowbodied teardrop 6-string guitar was Drooper from The Banana Splits!

G L Wilson

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Sunday, December 20, 2009

Maton BB1200 and Manson bass mandolin




On the previous post I put a link to a video to show Homme's Maton but this video was erased so I replaced it with another one from the same concert but with the BelAire...
So here is the Maton, and even better you can see John paul-Jones playing a Manson bass mandolin (I didn't even know bass mandolins existed until 30 minutes ago... If you'd asked me, I would have thought of the ENORMOUS contrabass balalaika I saw last week played by a Russian street band, not of rock legend playing progressive stoner rock...).

Anyway, you can read a good article about Hugh Manson's guitars making here.


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60s Maton Big Ben Bass

Maton Big Ben bass

I discovered recently a cool guitar website - for some reason another one from Oz (it seems that down there to is the right place where to combine guitar passion and Internet).
Being Australian, Guitarnerd released a few interesting posts about vintage Maton Guitars, the historical Australian guitar company (I was actually trying to know more about the guitar Josh Homme played with Them Crooked Vultures on a cool concert on French TV (you'll remember that I presented here his other favorite guitar, the BelAire MotorAve)).

The last post of Guitarnerd from which I borrowed this picture is about he Big Ben bass, that is one of the coolest thing I ever saw! I won't copy this post, so the best is that you go there and read it by yourselves...


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Saturday, December 19, 2009

1966 Murph "Squire" 12-string electric

guitarz.blogspot.com:
I can't say I've heard of the Murph brand of guitars before, but apparently they were made in San Fernando, California in the 1960s, and this example from 1966, a Murph 12-string "Squire" electric does look very very cool. Note the compact "Rickenbacker-style" 12-string headstock. Other than that, unfortunately, I'm not able to comment further on this guitar as I know nothing about it, but I thought you guys would like the see the pictures.

I guess that the Buy It Now price of US $1,500.00 (approximately £932.75) implies that this is a desirable guitar.

Post Script: Since posting the above I have found out via www.murphguitar.com that Murph Guitars founder Thomas ‘Pat’ Murphy passed away last month. I would like to express my condolences to his family, friends and colleagues.

G L Wilson

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Stiehler Guitars "Thunder-Backer" bass

guitarz.blogspot.com:

Built by luthier Bob Stiehler, the "Thunder-Backer" features a custom solid mahogany one-piece non-reverse Thunderbird-style body married to a Rickenbacker-style maple neck with ebony fingerboard and pearl inlay. It certainly makes for a very attractive looking bass.

See more at Christian Guitar Works.

Thanks to Jason Land for suggesting we include this bass here on Guitarz.

G L Wilson

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Friday, December 18, 2009

Jay Wasco's Egotar


I must admit that at first sight, it's difficult to take Jay Wasco's Egotar really serious - it looks like a punk noise prototype that is fun to build and fun to play, but you wouldn't expect from it high versatility and playability.

But then you look at the video down there and you realize that this guy knew what he was doing when he built it - and seriously knows what to do with it!

The Egotar includes an amazing innovation for slide guitar playing. This instrument is not new, and I'm surprise that this idea didn't take and that slide guitar players didn't jump on this system to expand their instruments (OK, when you play slide guitar you mostly want to sound old-timy bluesy but still...).

And there's much more where it comes from. Spend some time of Jay Wasco's site and you will discover some incredible instruments such as the fractal harp... Enjoy!







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Resolutions for Writers 2010

Every December I do a post about resolutions for writers, and every year I add more of them.

2006

Newbie Writer Resolutions
  • I will start/finish the damn book
  • I will always have at least three stories on submission, while working on a fourth
  • I will attend at least one writer's conference, and introduce myself to agents, editors, and other writers
  • I will subscribe to the magazines I submit to
  • I will join a critique group. If one doesn't exist, I will start one at the local bookstore or library
  • I will finish every story I start
  • I will listen to criticism
  • I will create/update my website
  • I will master the query process and search for an agent
  • I'll quit procrastinating in the form of research, outlines, synopses, taking classes, reading how-to books, talking about writing, and actually write something
  • I will refuse to get discouraged, because I know JA Konrath wrote 9 novels, received almost 500 rejections, and penned over 1 million words before he sold a thing--and I'm a lot more talented than that guy

Professional Writer Resolutions

  • I will keep my website updated
  • I will keep up with my blog and social networks
  • I will schedule bookstore signings, and while at the bookstore I'll meet and greet the customers rather than sit dejected in the corner
  • I will send out a newsletter, emphasizing what I have to offer rather than what I have for sale, and I won't send out more than four a year
  • I will learn to speak in public, even if I think I already know how
  • I will make selling my books my responsibility, not my publisher's
  • I will stay in touch with my fans
  • I will contact local libraries, and tell them I'm available for speaking engagements
  • I will attend as many writing conferences as I can afford
  • I will spend a large portion of my advance on self-promotion
  • I will help out other writers
  • I will not get jealous, will never compare myself to my peers, and will cleanse my soul of envy
  • I will be accessible, amiable, and enthusiastic
  • I will do one thing every day to self-promote
  • I will always remember where I came from


2007

  • Keep an Open Mind. It's easier to defend your position than seriously consider new ways of thinking. But there is no innovation, no evolution, no "next big thing" unless someone thinks differently. Be that someone.

  • Look Inward. We tend to write for ourselves. But for some reason we don't market for ourselves. Figure out what sort of marketing works on you; that's the type of marketing you should be trying. You should always know why you're doing what you're doing, and what results are acceptable to you.

  • Find Your Own Way. Advice is cheap, and the Internet abounds with people telling you how to do things. Question everything. The only advice you should take is the advice that makes sense to you. And if it doesn't work, don't be afraid to ditch it.

  • Set Attainable Goals. Saying you'll find an agent, or sell 30,000 books, isn't attainable, because it involves things out of your control. Saying you'll query 50 agents next month, or do signings at 20 bookstores, is within your power and fully attainable.

  • Enjoy the Ride. John Lennon said that life is what happens while you're busy planning other things. Writing isn't about the destination; it's about the journey. If you aren't enjoying the process, why are you doing it?

  • Help Each Other. One hand should always be reaching up for your next goal. The other should be reaching down to help others get where you're at. We're all in the same boat. Start passing out oars.


2008


I Will Use Anger As Fuel.
We all know that this is a hard business. Luck plays a huge part. Rejection is part of the job. Things happen beyond our control, and we can get screwed.

It's impossible not to dwell on it when we're wronged. But rather than vent or stew or rage against the world and everyone in it, we should use that anger and the energy it provides for productive things.

The next time you get bad news, resolve to use that pain to drive your work. Show fate that when it pushes you, you push right back. By writing. By querying. By marketing.


I Will Abandon My Comfort Zone. The only difference between routine and rut is spelling.

As a writer, you are part artist and part businessman.

Great artists take chances.

Successful businessmen take chances.

This means doing things you're afraid of, and things you hate, and things you've never tried before.

If, in 2008, you don't fail at something, you weren't trying hard enough.


I Will Feed My Addiction. Life is busy. There are always things you can and should be doing, and your writing career often comes second.

So make it come first.

Right now, you're reading A Newbie's Guide to Publishing. Not A Newbie's Guide to Leading a Content and Balanced Life.

You want to get published and stay published? That means making writing a priority. That means making sacrifices. A sacrifice involves choosing one thing over another.

If you can't devote the time, energy, and money it takes to pursue this career, go do something else.


I Will Never Be Satisfied. Think the last resolution was extreme? This one really separates the die-hards from the hobbyists.

While an overwhelming sense of peace and enlightenment sounds pretty nice, I wouldn't want to hire a bunch of Zen masters to build an addition on my house.

Satisfaction and contentment are great for your personal life. In your professional life, once you start accepting the way things are, you stop trying.

No one is going to hand you anything in this business. You have to be smart, be good, work hard, and get lucky.

Every time you get published, you got lucky. Don't take it for granted.

When something bad happens, it should make you work harder. But when something good happens, you can't believe you earned it. Because it isn't true. You aren't entitled to this career. No one is.

Yes, you should celebrate successes. Sure, you should enjoy good things when they happen. Smile and laugh and feel warm and fuzzy whenever you finish a story or make a sale or reach a goal.

But remember that happiness isn't productive. Mankind's greatest accomplishments are all tales of struggle, hardship, sacrifice, work, and effort. You won't do any of those things if you're satisfied with the status quo.

Who do you want on your team? The kid who plays for fun? Or the kid who plays to win?

If you want this to be your year, you know which kid you have to be.


2009

This year I'm only going to add one resolution to this growing list, but if you're writing for a living, or trying to write for a living, it's an important one.


I Won't Blame Anyone For Anything. It's tempting to look at the many problems that arise in this business and start pointing fingers. This is a slippery slope, and no good can come from it.

Do agents, editors, and publishers make mistakes? Of course.

You make mistakes too.

Hindsight is 20/20, so we can all look at things that didn't go our way and fantasize about how things should have gone.

But blaming others, or yourself, is dwelling on the past. What's done is done, and being bitter isn't going to help your career.

So try to learn from misfortune, forgive yourself and others, and make 2009 a blameless year.

2010

As A Newbie's Guide to Publishing closes in on its 500th blog entry, I can't help but reflect on how much the publishing industry has changed in the seven years I've been a part of it.

Here are some new resolutions that reflect these changing times.


I Will Be Wary. The medium in which stories are absorbed is changing in a big way, and it will continue to change. 2009 will go down in publishing history as Year Zero for the upcoming ebook revolution. Writers should explore this new territory, but we need to understand that Print is still King, and any goals and dreams a writer might have regarding publication should be focused on getting into print.

That's not to say that ebooks shouldn't be explored and experimented with. They should be, and in a serious way. Erights are a very long tail--one that can potentially continue long after our lifetimes.

Don't forsake print for ebooks without understanding what you're giving up, and don't give away your ebook rights to get a print deal.


I Will Be A Pioneer. Remember the old saying about how to recognize a pioneer? They're the one with the arrows in their backs and fronts.

I've tried to be forward-thinking in my career, rather than being content with my role as a cog in a broken machine. Your best chance for longevity is to question everything, test boundaries, experiment with new ideas, and be willing to change your mind and learn from your mistakes.

Your job is to survive, by any means necessary. So pull out the arrows and forge ahead. Discover the difference between determination and stupidity by being an example for one or the other or both.

Though this may seem at odds with the previous resolution about being wary, it's actually quite simpatico.

Q: What do you call a wary pioneer? A: Still alive.

I Will Read Books. I'm surprised I haven't mentioned this in previous years. If you're a writer, you must be a reader. I don't care if you read on your Kindle, or on stone tablets. Reading, and giving the gift of reading to others, is essential. Period.


I Will Stop Worrying. Worrying, along with envy, blame, guilt, and regret, is a useless emotion. It's also bad storytelling. Protagonists should be proactive, not reactive. They should forge ahead, not dwell on things beyond their control. Fretting, whining, complaining, and bemoaning the state of the industry isn't the way to get ahead.

You are the hero in the story of your life. Act like it.

Now quit reading blogs and get some writing done.

1963 Höfner 173 Super Solid

Höfner 173 Super Solid






It's been for ever since we showed here a cool vintage German guitar, but it was worth waiting, because here comes a beautiful Höfner 173 Super Solid from 1963.

I don't have much to tell about it, so let's simply enjoy its leatherette finish, pearloid pick-guard, old-school trem, chrome lower horn, and the three pickups and their switches!










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Thursday, December 17, 2009

Aluminium-bodied J-Bass

guitarz.blogspot.com:

This aluminium-bodied J-Bass is a one-off featuring a body created by one of the guys who built the Fender Harley Davidson Strat bodies, circa 1993.

The body is slab-style rather than being contoured like regular Jazz Basses, and so the seller refers to it as a JT style - Jazz Bass shaped but with squared edges like a Tele bass or early 50s Fender Precision bass.

The bass features two concentric pots offering volume and tone for each pickup, as on the early Fender Jazz Bass.

The aluminium body is hollow and has the pickups sitting on top of a 1" solid aluminum tuning bar connecting the neck block to the bridge block.

(Before anyone points it out, I'm aware that this is the third bass post in a row. Let's have no complaints - no-one minds when we post six or seven guitar posts in sequence.)

G L Wilson

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Wednesday, December 16, 2009

A couple of very strange basses for you...

guitarz.blogspot.com:

I've received an email from Vladimir which included the two photographs I have reproduced in this post. He wants to know what is the identity of one of the basses and says that the other is an Apex bass.

Unfortunately for me, I don't know which is which. I recognise the picture of the strange green-bodied fretless bass (I think the now sadly defunct Bunny Bass website had it in their gallery of amusing basses a few years ago), but I couldn't tell you anything about either of these basses.

Anyone out there got any ideas?

G L Wilson


Additional - Vladimir writes again:

"Second bass it is Apex by Kamel Chenaouy, made in Nasshville, in 1979-1986.
In photo may bass it 12.12.83

Kamel Chenaouy is well known for his Apex guitars and other creations in the guitar world. He also has a forum where he advises budding luthiers on how to build one's own guitars. Its here: http://kamelchenaouy.forumactif.com/."

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Tuesday, December 15, 2009

Westone X900TPR Super Headless Bass

guitarz.blogspot.com:
In the 1980s Westone guitars and basses seemed to be everywhere. Built in the now legendary Matsumoko factory in Japan, these instruments offered high quality at an affordable price. Another factor in their favour was that they had their own original designs and were not merely copies of the same old Fender and Gibson models. I remember when I was looking for a bass guitar on a budget, I ended up buying a new Westone Thunder I-A fretless for £175. There was no way that I was going to buy a "copy", that would not have been cool. Even though I thought the Westone was ugly (and to be honest, I think a lot of their designs were) I could see that it was a well-made instrument.

It's nice to see that these old Westones have kept their value. If I'd kept my old Thunder I-A fretless, I could probably sell it now for over £200. Bearing that in mind, the above-pictured top of the line Westone X900TPR Super Headless Bass seems a mere snip at a Buy It Now price of £299. It is of through-neck construction, as were Westone's higher-end instruments, and features an active EQ. Unlike many Westones, this isn't ugly at all. The curves of the body are quite attractive, to my eyes at least. Note the interesting contouring with a lower-levelled area around the lower horn. This was probably designed to aid the slap and popping style of playing that was popular in the 1980s, but we won't let that detract from the beauty of this bass.

It's nice also to see a headless bass from this period with a full-size body instead of being another minimalist rectangular-shaped Steinberger rip-off.

G L Wilson

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Monday, December 14, 2009

ESP S-type guitar with custom graphics

guitarz.blogspot.com:

The graphics on this Japanese-made custom shop ESP-400 Strat-a-like look to have been inspired by the likes of Eric Clapton's "Crash" Stratocasters. It's a shame that this guy has to sell this guitar, as it must be quite personal to him, featuring as it does a picture of a dog he used to own. But we've all had to part with items we didn't want to; I know I have.

G L Wilson

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Robin Fleetwood

Robin Fleetwood

Here's a small company guitar, the Fleetwood by Robin Guitars. It's an obvious variation on Gibson's Firebird, with a 70s Yamaha lower horn and a post-Moderne headstock.
I can't tell if I love it or I hate it - change my mind each time I look at it... Probably without the transparent cherry finish and the pickguard, it would have a chance to be more than a variation and could be considered not only in relation to the original model... Anyway, rooting in vintage is the new way to create guitars, so that's an interesting try...
Though probably a complete failure when I really think of it!


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Sunday, December 13, 2009

Embarrassing Dean Budweiser Guitar

guitarz.blogspot.com:

Can you imagine the shame of having to play this thing made by Dean Guitars?

Not only does it look absolutely awful, but I'd be so embarrassed that people might think I'd advocate drinking such an appalling and tasteless brand of "beer".

G L Wilson

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Saturday, December 12, 2009

HandyTab - The Pocket Music Stand

guitarz.blogspot.com:

Christmas will soon be upon us and if you are unsure what to buy the guitarist in your life, or alternatively don't know what to ask for for yourself, you could do a lot worse than to get one of these little gizmos. The HandyTab looks to be quite a cool little accessory. C'mon, we've all tried playing guitar whilst following music or lyrics on scraps of paper lying on the floor and perched on top of an awkward surface. Having the music on a flexible gooseneck attached to the guitar head looks like the perfect solution. It's a simple idea, but then the best ideas often are!

Buy it now from: http://www.handytab.co.uk/

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Friday, December 11, 2009

Zachary's walnut Moderne

Zachary Modern G4

It's always a piece of fun to connect to Zachary Guitars website - for those who don't know it, I recommend a little visit but not without warning you that it is a borderline experience... The hubris of Alex Csiky (Zachary Guitars's maker) makes difficult to be sure that his guitars are as good as he claims, but his anti-guitar establishment ranting is quite unique and often convincing...

This time again I was not disappointed since I discovered Zachary's last guitar, its second version of the legendary Gibson Moderne, a little marvel made of beautiful walnut wood, that appears on the following video to be a very nice player. It is a smart move on a model that deserves to be more than mere an urban legend or an expensive cult fetish.

I have no problem advertising here Zachary's new guitar, since it is very unlikely that Alex would accept any of you readers as a customer - for sure he wouldn't sell me a guitar, never been interested in playing a maximum of notes in a minimum of time...






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Jolana Basso IX

guitarz.blogspot.com:

Hailing from Czechoslovakia in the early 1970s the Jolana Basso IX (this example for sale on eBay right now) is known as a cheaply-made poorly balanced instrument. It's a short-scale bass, so add this to its already none too impressive pedigree and I think it's unlikely that you're going to get a good sound out of it. It's main attraction its craziness, and is probably one for the collectors of weird and wacky guitars such as those coming out of Eastern Europe and Russia.

The poorly-cut plate carrying the volume and tone controls on this example is not original. To see how this bass should look and to read more about it, see Cheesy Guitars (plus more about the Jolana brand).

Seeing as this bass is not entirely original and is only really of value to collectors I think that the seller is being rather optimistic with the listed Buy It Now price of US $808.00 (approximately £497.17).

G L Wilson

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Promotion, Social Networks, and Going Viral

As I've said many times in the past, getting people to find you on the world wide web is no major feat if they're looking for you in the first place.

Sure, you should have a website, and assorted billboards that point to your website (like social networks and blogs), but if someone Googles your name and finds you, you really haven't won any major battles.

The goal is to get people to find you when they're looking for something else. When that happens, you're spreading your brand.

As long as I've been on the Internet, I've been playing around with various ways to get people to find me while looking for something else.

The pinnacle of this idealogy would be to do something that went viral--that spread word-of-mouth and captured millions of viewers.

Hasn't happened yet. Might never happen. But I have thought about it.

For as long as I've had a website, I've been giving away free ebooks. They've been downloaded tens of thousands of times, and recently the frequency is picking up. But I haven't gotten huge volumes of new surfers because I give away ebooks. It's worthwhile, but hardly viral.

I've played with videos a few times, releasing my video to Hyperion on Youtube a few years ago, and last year doing a book trailer for Fuzzy Navel. All total, these have been watched about 5000 times. Not viral at all.

I went heavy into MySpace a few years ago, getting more than 12,000 friends. Then MySpace started to suck, so I spend my effort on Facebook and Twitter. I have a few thousand friends on those, but I'm not a "must see" destination, even though I try to make my daily updates amusing.

I put a funny little Flash game on the Jack Kilborn website, to promote Afraid. It's gotten over 1600 hits, but that's far from viral.

My goal, from the beginning, was to do something that encorages word-of-mouth. Something funny, different, goofy, and unique enough to stand out, while still resonating with the majority of people who see it. I've tried to do this with my writing, from the very start. My books, named after drinks (hook) are funny and scary (hook.) Easy to remember titles + a unique approach to thrillers.

They've caught on, but not virally. It's tough to reach a large audience when you've never had coop, or been in Wal-mart.

With Afraid, I didn't try to write a horror novel. I tried to write the scariest novel of all time. Did a blog tour (a hundred blogs in a month this March), which lead to better sales than my previous books, and over a hundred ratings on Amazon. But again, it didn't set the world on fire.

I wrote a novella with Blake Crouch called SERIAL, and that's the closest thing to viral I've done. I haven't seen the latest numbers, but I estimate it has had over 200,000 downloads. Nice, but it hasn't made Jack Kilborn a household name.

Keep in mind, aiming for viral is a lot like buying a lottery ticket. You can try, but don't have high expectations it's going to work. The stars have to align.

Still, the key word is "try."

My detractors (and I have a few) will often point to the many things I've done to promote my writing and say, "But all that didn't make you a bestseller."

I never thought it would. But I knew I'd sell more books by trying than by doing nothing, and the more I try, the more I do sell.

Which brings me to a new experiment.

Two days ago, I listed an auction on eBay for signed copies of all of my books. I've mentioned it on Twitter and Facebook, and now I'm mentioning it here.

There have been eBay auctions that have attained viral status, either by selling something outrageous (like a Dorito that looks like Michael Jackson), or by using a funny description. My old high school friend Dawn Meehan sold a baseball on eBay in a humorous way, which lead to a blog, an appearance on Good Morning America, and a book deal. She went viral, using only her wit.

So I decided to give it a shot. The main goal of the auction isn't to sell the books. It's to introduce people to my sarcastic brand of humor. The product description is essentially 500 jokes.

The point, of course, isn't to be viewed by people who alreayd know me. It's to be viewed by folks who had no clue who I was before looking at the auction.

So far, I've had over 200 hits on the eBay auction. That's a lot of hits for eBay, but nowhere near viral.

Here's the auction link: http://tiny.cc/JeuuU.

Feel free to check it out, and spread the word. I'm really curious to see if being a smartass, coupled with the social networks I'm already involved in, can translate to a lot of traffic, both on eBay, and by extension, on my website.

Worst case scenario: I sell some books.

Best case scenario: Billions of people visit the auction, leading to my being elected ruler of the world, where I will encourage public nudity and legalize drugs.

Please do your part to help.

Thursday, December 10, 2009

Paul Kinny's stereo acoustic guitar



A quite unusual guitar is this stereo acoustic guitar by Paul Kinny.
Hard to tell just from looking at it, if this acoustic experimentation is serious or worth the work, but in my opinion it deserves a positive a priori. I like how innovation for electric guitars feedbacks into acoustic ones - and in general how new technologies provide new concepts relevant in any field.

So I can understand that if you think stereo is good for a solid body electric guitar, why not try it for an acoustic one? The shape is supposed to split low and high frequencies and send them to the two holes - and due to the position of these holes, the effect is mostly aimed at the player - or if you record it with two mikes (it is actually a studio guitar).

And if you have a look at Paul Kinny's website, you can see that the guy is never tired of experimenting and proposes other unique instruments that I know will interest some readers of this blog, such as the Mandolinish...

bertram


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Shock! Horror! Vintage Italian guitar without all the excess!

guitarz.blogspot.com:

I was going to ask whether you thought that the design for this 1960s Eko solidbody was the inspiration for the Charvel/Jackson Surfcaster (see previous post) but on reflection both were probably inspired by the offset-bodied Fender Jazzmaster and Jaguar guitars.

This guitar is remarkably restrained for a 1960s-era Italian guitar. It has just a single pickup instead of the usual four, and where is all the pearloid and glitter?

The volume and tone are rollers mounted on a panel on the bass-side of the strings. I think I'd find it very weird not having the volume (I rarely touch tone controls) in the usual place on the lower bout. This guitar almost looks as if something is missing.

G L Wilson

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Wednesday, December 9, 2009

Refreshingly honest seller on eBay

guitarz.blogspot.com:

I wish all eBay sellers were as honest in their opinions about the items they are selling as this guy. However, he'd never get a job in marketing with this approach.

His listing reads:
Crappy junk New Surfcaster Guitar, I hate this thing

Yes, I still have this piece of garbage. It's still new even though it's a few years old because it sucks too bad to play. So it just sits and acts ugly. Why won't someone relieve me of my burden? I hate this thing. This piece of junk was made by Jackson around '04 I think. Why they made it is anyone's guess. I'd love to interview the guy that made the decision at Jackson though. It is called a "Jackson Surfcaster" but it is just an ugly slab of wood masquerading as a Surf. It doesn't have the soundhole, neck shape, inlays, heft, sound or looks of the original surfs or the later nicer Jackson Surfs that were all made in Japan. This was made in India. While they do a lot of great things in India, making guitars, evidently, is not one of them. Jackson ruined the most beautiful guitar in the world with this monstrosity. I bought it thinking all Surfs must be great. Not So! Only the Charvels and early Jackson's made in Japan are great. This thing is bland sounding and bland looking. No tremolo or cool C tailpiece. Just lazy strings through the body. This one is an ugly metallic red. It has a small neck, but it's round, not flat like classic surfs. I don't have anything good to say about it. This thing is so ugly that even though I get 12 pictures for the price of 10 with ebay, it's not worth any more pictures. There is no other angle to try to get it to look good. If you buy it, you're going to hate it, but please, please, do buy it so I can get it out of my house. Free shipping to entice you. No returns. Once you buy it you're stuck. You're it. And I promise you my handling time will be less than a day. I'll have it out of here and on it's way to you in 20 minutes.

Thanks for looking, and happy bidding.
Good luck to him! Perhaps if he lowered the price a little someone would buy it to smash it up. (Actually, no, don't do that. It's the most appalling cliché.) It really is a bad copy of a "proper" Surfcaster, that much is apparent from the photo.

G L Wilson

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Tuesday, December 8, 2009

Hamilton parlour guitar

guitarz.blogspot.com:
I have a bit of a soft-spot for parlour guitars. Perhaps, being mainly an electric player, I just prefer something with a smaller body. I do find large body acoustics rather ungainly; it can be a struggle having to cradle this huge thing and wrap your right arm around and over the top so as to reach the strings. In contrast, parlours I have played are not only much more conveniently-sized but are ofter very pleasant players with quite a sweet tone.

The above-pictured Hamilton parlour guitar is believed to be from the early 20th Century and probably made in America. It is currently for sale on eBay and the seller claims that it "plays really well". (Yeah, well s/he would say that, I suppose, but we have no-one else's word to go on. Sometimes we just have to take someone's word. It can be a gamble, I know.)

Unsurprisingly, it is fitted with light strings. On a guitar that may be perhaps 70, 80 or more years old, you don't want to fit it with heavy strings and then watch it implode in on itself.

It's hard to say what timbers have been used in its construction as the woodwork is completely finished in black cellulose. The top of the guitar has been decorated at some point with a couple of still life oil paintings which remind me of the kind of designs that my old Nana used to have on her cake and biscuit tins when I was a young 'un.

Whereas I personally could live without the kitschy oil paintings, one feature that I really like is the pearloid-backed perspex fingerboard and headstock facing. Of course, I'm reminded of Hagstrom/Goya 60s-period electrics which had the same feature.

This is another guitar I'd be seriously tempted to bid on if I wasn't trying to be careful with my finances at the moment.

G L Wilson

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Email Answers

I get a few dozen emails a week from fans and newbie writers, and I find myself answering the same questions time and again. Which means more than one person is interested in the answers.

In case any of my blog readers are interested, I'll repeat some of the most asked questions and answers.

Q: When is the next Jack Daniels book coming out?

A: I'm flattered that Jack has so many fans. The sixth Jack book, CHERRY BOMB, came out in hardcover in July, and the paperback version will come out next June. I'm working on a 7th Jack book called SHAKEN, but I'm buried with other projects and have put it on hold.

SHAKEN is not under contract. Hyperion, the publisher of the other six, dropped their mystery line, me included. But I do plan to complete SHAKEN sometime in 2010, and will either search for a new publisher, or release it as an ebook. If you'd like to read the first few chapters of SHAKEN, they're in my ebook collection PLANTER'S PUNCH.

Q: Will you do a sequel to THE LIST? Will you do a sequel to ORIGIN?

A: Again, I'm flattered people are enjoying my early technothrillers, which are available for free on my website as ebooks, and elsewhere for cheap wherever ebooks are sold. THE LIST in particular seems to have struck a chord with people, and it has sold over 10,000 copies on Kindle alone.

Those who have read these ebooks know they've never been traditionally published. These were the books that helped me land my agent, but they never sold.

It seems pretty silly to write a sequel to books that never sold, and yet I do have an idea that would serve as a sequel for both THE LIST and ORIGIN. It's called THE NINE, and would feature characters from both novels. I don't know when I'll have time to work on this, but I do plan on writing and releasing it within the next year or two.

Q: What's the status of TRAPPED?

A: TRAPPED is a semi-sequel to AFRAID, written by my pen name, Jack Kilborn. There's an excerpt from TRAPPED in the back of the AFRAID paperback. I wrote two versions of TRAPPED this year, and my publisher didn't like either of them, so they passed on it.

TRAPPED is a very intense, gritty, and horrifying book, so I can't say that I really blame them. But TRAPPED will come out, eventually. I just don't know when. In the meantime, Jack Kilborn is almost finished with another horror novel called ENDURANCE which is pretty nasty, and is on track to be released in 2010.

Q: Who is Joe Kimball?

A: I'm Joe Kimball. That's my pen name for a science fiction series I'm doing for Ace. The first book, TIMECASTER, is sort of a Buck Rogers type of novel, with lots of sex and violence and even Harry McGlade. (The hero of TIMECASTER is Jack Daniels's grandson.) It will come out in 2010, with a sequel to follow.

Q: Should I forsake finding an agent and a print deal and release my book as an ebook?

A: I get asked this a lot. I've done pretty well with ebooks, and my sales aren't slowing down. But I also have a known name (two known names if you count Kilborn) and this is no doubt helping my ebook sales. So while I'm able to pay my mortgage with my Kindle profits, I don't know of many other ebook writers who can say the same.

Right now, the best way to pursue a writing career is to find a good literary agent and sell the book to a well-respected print publisher. In other words: DON'T DO IT ON YOUR OWN.

Are there exceptions? Of course. Before you pursue a writing career, you need to clearly define your goals, and decide what you want in order to be happy. If you want your book in stores, you need to go the traditional route.

If you've already gone the traditional route, and gotten rejected, I think ebooks are something you can try ALONG WITH continuing your agent/publisher search, not instead of.

Then again, if your goal is to simply have your book available, and to maybe make a few bucks, then visit Smashwords.com. You can upload your ebooks for free, set your own price, and they'll upload them to Amazon, B&N, and Sony. I recommend keeping your price under $2.

Q: How can I make my ebook available for free on Kindle like you did with SERIAL?

A: Go to Smashwords.com and upload your book, setting the price as free. It will be uploaded to Amazon for free. You can also go to Mobipocket, upload your book there, and charge 1 cent, and it will appear on Amazon for a penny.

Q: Will there be any movies based on any of your books?

A: My novel AFRAID is currently under option with Principle Entertainment. The directors attached are the Dowdle brothers, who made a kick ass horror movie called QUARANTINE and another kick ass horror movie called THE POUGHKEEPSIE TAPES (which is a lot like WHISKEY SOUR, where a serial killer makes snuff films.) It's a good match and things are moving forward.

Options for my other books are currently available. Contact my agent, Jane Dystel, if you'd like to make an offer.

Q: I read you sent 7000 letters to libraries, signed at 600 bookstores in one summer, toured 100 blogs in a month, and got over 500 rejections before you sold your first book. Those numbers are insane. How am I supposed to do that?

A: You don't have to. You should never compare yourself to any other writer. We all have our own paths to follow, and we all decide what we can and can't do.

Q: I'm a new writer. Will you critique my story?

A: I'd love to. But I can't. I'm ridiculously busy these days. My advice is to join a writing group. Every big library, bookstore, and college has them.

Q: Why haven't you replied to my email?

A: If you've emailed me and I haven't responded, I am still having email issues. Since I have 10,000 people on my newsletter mailing list, certain spam bots have marked my IP as a spamming address. Which means there are some ISPs that don't get the emails I send them. It's annoying, and there's nothing I can do about it until I buy another computer and get a new IP. But I do still love you. I promise. :)